Philharmonia Baroque Orchestra, Holiday Concert features Vivaldi favorites, December 4-11

By -

This December, Philharmonia Baroque Orchestra highlights its own stars – Philharmonia Chorale director Bruce Lamott and co-concertmaster Elizabeth Blumenstock. Together for the first time, they will step into the spotlight to conduct the Orchestra and the Philharmonia Chorale in a glorious concert of instrumental and vocal Baroque holiday favorites, featuring Antonio Vivaldi’s “Winter” from The Four Seasons and his splendid Gloria. Be drawn into the spirit of Christmas past with the joyous sounds of PBO!

“The holiday season is always a good time for musical celebration. This year PBO will feature its wonderful Chorale in Vivaldi's festive Gloria and other Italian Christmas pieces. Our very own chorus master Bruce Lamott and violinist Elizabeth Blumenstock will lead the orchestra. So it really will be a PBO family Christmas!” - Music Director Nicholas McGegan

For the last 28 years, San Francisco’s Philharmonia Baroque Orchestra (PBO) has been dedicated to historically-informed performance of Baroque, Classical and early Romantic music on original instruments. Led by Music Director Nicholas McGegan since 1985, PBO is recognized as one of the finest chamber orchestras, as well as one of the most exciting period-instrument ensembles. Drawing on musicians from all over the United States and abroad, PBO performs seven concert programs in four Bay Area cities each season and tours the U.S. and internationally. The group has its own professional chorus, has commissioned new music for period instruments, and has collaborated with the Mark Morris Dance Group among others. PBO’s 24 recordings have won or been nominated for numerous awards.

Tickets start at $25 and are available through City Box Office at (415) 392-4400 or online at www.cityboxoffice.com. If available, Student Rush tickets are $10 and go on sale one hour before the start of the concerts. To learn more about all of PBO’s concerts, visit the Orchestra’s website at www.philharmonia.org.

Concert Details:
Gloria! A Holiday Celebration
VIVALDI     Magnificat in G minor
TORELLI     Concerto Grosso in G minor, "Christmas Concerto"
VIVALDI     Credo in unum Deum
VIVALDI     Concerto in F minor, "Winter" from The Four Seasons
SAMMARTINI     Concerto Grosso in G minor, "Christmas Concerto "
VIVALDI     Gloria in D major

Bruce Lamott, conductor
Elizabeth Blumenstock, leader and violin
Philharmonia Chorale

Friday, December 4, 2009, at 8:00 p.m.
     Palo Alto – First United Methodist Church (625 Hamilton Avenue)
Saturday, December 5, 2009, at 8:00 p.m.
     Berkeley – First Congregational Church (2345 Channing Way)
Sunday, December 6, 2009, at 7:30 p.m.
     Berkeley – First Congregational Church (2345 Channing Way)
Tuesday, December 8, 2009, at 8:00 p.m.
     Lafayette – Lafayette-Orinda Presbyterian Church (49 Knox Drive)
Friday, December 11, 2009, at 8:00 p.m.
     San Francisco – Herbst Theatre (401 Van Ness Avenue)

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Acclaimed Fauré Quartett returns to Deutsche Grammophon with their first recording of Brahms

By -
Image
The Fauré Quartett continues to add authoritative recordings to the chamber music catalog with their new recording of two Brahms quartets, available from Deutsche Grammophon on January 12, 2010. These large, some say symphonic, works test the limits of technical and musical capabilities, and the Fauré Quartett once again proves why they are one of the most acclaimed ensembles performing today. Within a short period of time the Fauré Quartett has conquered the great concert halls of London , Paris , Berlin , Amsterdam , Brussels , Geneva , Hamburg , Frankfurt, Milan , Buenos Aires , Rio de Janeiro and elsewhere. “They attract superlatives wherever they go,” wrote The Strad following a concert at London ’s Wigmore Hall, while the Süddeutsche Zeitung praised them for a performance that “brought tremendous pleasure by highlighting interpretative details that had scarcely ever been heard before”. The Fauré Quartett strives to achieve a unique sound for Brahms (as indeed for every work)
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more