Family Day at the Opera

By -

March 22, 2014 | Ellie Caulkins Opera House Lobby



Denver, CO — (February 17, 2014) In collaboration with and sponsored by Arts & Venues Denver, Opera Colorado presents Family Day at the Opera on March 22 at 10:00 a.m. in the lobby of the Ellie Caulkins Opera House. This free family performance will feature anabridged production of The Barber of Seville sung in English. Performed by Opera Colorado’s 2014 Young Artists, Family Day at the Opera features the professional production of The Barber of Seville that Opera Colorado takes directly into schools and community venues across the state of Colorado.
Kevin Taylor at the Opera House will offer family-friendly refreshments and snacks available for purchase in the lobby of the Opera House. Family Day at the Opera includes a short Q&A session after the 50 minute performance, along with hands-on crafts and entertainment. Don’t miss this opportunity to bring your whole family to the Opera and experience the joy of live performance in a fun setting.

About The Barber of Seville
Figaro, Figaro, Fiiiiiigaro!!Barber by day, matchmaker by night, Figaro puts his charm to work as he helps Count Almaviva woo the beautiful Rosina. She’s such a catch that her greedy guardian Bartolo keeps her under lock and key with the intent of marrying her himself. Crazy antics abound and even Berta the maid gets involved. But, no challenge is too great for Figaro’s madcap schemes! Filled with some of opera’s most famous tunes, this is a comedy not to miss!
Jared Guest……………….Figaro
Brett Sprague……………Count Almaviva
Louise Rogan…………….Rosina
Ben Sieverding…………..Dr. Bartolo
Colleen Jackson…………Berta

Directed by Cherity Koepke | Accompanied by Taylor BaldwinFor more information about Opera Colorado’s Young Artists visit OperaColorado.org.

Time: 10:00 AM

Location:  The Ellie Caulkins Opera House is located at 1101 13th Street Denver, CO 80204, at the corner of 14th and Champa Streets. Entrance to the Opera House is at Curtis and 14th Street.

Tickets:  This performance is free to the public, however space is limited and an RSVP is required. To print out your free tickets and RSVP, please visit Eventbrite at the link below. https://www.eventbrite.com/e/opera-colorado-presents-family-day-at-the-opera-tickets-10008819649. You can also make your reservation by calling Opera Colorado’s Box Office at 303.468.2030. Find out more at OperaColorado.org. Age Recommendation: K – 12

Opera Colorado’s Young Artist Benjamin Sieverding is sponsored by Marlis and Shirley Smith, and Karen Brody and Mike Hughes, and Young Artist Brett Sprague is sponsored by Patrick Spieles and Carol McMurry.  Opera Colorado’s 2014 season is sponsored by Mr. and Mrs. Kenneth T. Barrow, the Scientific and Cultural Facilities District (SCFD), Magnolia Hotels, The Westin Hotel, The Edge Restaurant & Bar, The Four Seasons Hotel and Rassman Design, and media sponsors The Denver Post, 5280 Magazine, Yellow Scene Magazine and Luxe Magazine.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Acclaimed Fauré Quartett returns to Deutsche Grammophon with their first recording of Brahms

By -
Image
The Fauré Quartett continues to add authoritative recordings to the chamber music catalog with their new recording of two Brahms quartets, available from Deutsche Grammophon on January 12, 2010. These large, some say symphonic, works test the limits of technical and musical capabilities, and the Fauré Quartett once again proves why they are one of the most acclaimed ensembles performing today. Within a short period of time the Fauré Quartett has conquered the great concert halls of London , Paris , Berlin , Amsterdam , Brussels , Geneva , Hamburg , Frankfurt, Milan , Buenos Aires , Rio de Janeiro and elsewhere. “They attract superlatives wherever they go,” wrote The Strad following a concert at London ’s Wigmore Hall, while the Süddeutsche Zeitung praised them for a performance that “brought tremendous pleasure by highlighting interpretative details that had scarcely ever been heard before”. The Fauré Quartett strives to achieve a unique sound for Brahms (as indeed for every work)
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more