Film Music in the Concert Hall

By -

Yes, there is yet another post about some orchestra (Chicago Symphony) performing film music in the concert hall. So, what's news about this you ask?

First of all, Chicago Symphony Orchestra is in its fifth season of performing these works, which means it's not only popular, but becoming a regular feature of their concert season. This year, as the concert will be on Halloween, the symphony are showing one of the 1930s Universal Studios classics, "The Bride of Frankenstein," with live accompaniment by guest conductor Richard Kaufman and the Chicago Symphony Orchestra. So, not only will this be a wonderful concert, but a classic film and the chance to see the film with live music a rare occurance in our modern world.

Secondly, on the Saturday prior to their standard Friday night concert (Oct 31) they will perform additional works aimed at a younger audience, with works like Mussorgsky's "Night on Bald Mountain" with selections from the scores of "Spider-Man," "E.T. the Extra-Terrestrial" and other films. What a great way to introduce children to classical music, by providing music they recognise and yet in a venue that is new (to them). My suggestion to the parents is to bring the kids back to the Friday night performance to augment the sentiment that orchestras are more than just current film music... THEN get season tickets and take them to see any (or all) of their upcoming performances to complete the picture of how wonderful orchestral music can be. (My particular favorite would be the concert in mid-November, "Echoes of Russia" with music from Glinka, Rachmaninov and Tchaikovsky.)

For more details on "Friday Night at the Movies" or the Chicago Symphony Orchestra...

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In ...
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

Teaching Composition – What are we trying to achieve

By -
In the process of learning composition I have spent time with a number of instructors who have encouraged me to write twelve-tone, pitch-class, electro-acoustic and other forms of experimental techniques. No matter how much I might understand and appreciate the work of other composers in the genres, these are not forms of music I resonate with. They are simply not forms of music I listen to and I struggle with the idea of writing them. However, in a Master Class by Libby Larsen she made the comment, “Learn them all, because all forms of music have something to offer.” This I very much agree. There are elements of each of the above mentioned forms (and others) that I do resonate with. Berg’s Violin Concerto is a beautiful twelve-tone work, although it is possible to look at numerous sections of the music with a “tonal” analysis. Another composer friend, Gary Bachlund commented that using these techniques can narrow the choices for how to compose a piece of work. If you look at ...
Read more