Baltimore Symphony Orchestra getting ready for December

By -

Handel’s Messiah

Friday, December 4, 2009 at 7:30 p.m. – Joseph Meyerhoff Symphony Hall (JMSH)

Saturday, December 5, 2009 at 7:30 p.m.—Todd Performing Arts Center

Edward Polochick, conductor

Georgia Jarman, soprano

Julie Bouilanne, mezzo-soprano

Ryan MacPherson, tenor

Michael Dean, bass-baritone

Concert Artists of Baltimore Symphonic Chorale

Join the BSO in its annual tradition of Handel’s glorious oratorio, featuring the Concert Artists of Baltimore Symphonic Chorale led by conductor Edward Polochick.

Tickets from $25.

Family Concert Series

The Polar Express

For children ages 4 and up and their families

Saturday, December 5, 2009 at 11:00 a.m. – JMSH

Mei-Ann Chen, conductor

Andre McRae, baritone

The Peabody Children’s Chorus

Experience the magic of the holiday season by taking a ride on Chris Van Allsburg’s The Polar Express, the timeless tale of a boy who still believes. As images from the book are projected onto the stage, the words on the pages of this Caldecott Medal winner will come to life through full orchestra and a children’s chorus. Arrive early for the Family Fun Zone, featuring face painting and a musical petting zoo, starting at 10 a.m. in the Meyerhoff lobby.

Tickets from $12.

Special Presentation

Hallelujah! A Community Sing-A-Long

Wednesday, December 9, 2009 at 7:30 p.m.—JMSH

Marin Alsop, conductor

Community Soloists

Community Singers

Hundreds of local singers will join the Baltimore Symphony Orchestra for a community sing-a-long including selections from Handel’s Messiah and the re-vamped, jazzy version of this classical favorite, Too Hot to Handel: The Gospel Messiah.

Tickets $10 general admission.

To participate in the community chorus, please register at BSOmusic.org/TooHot by Nov. 13.

Too Hot to Handel: The Gospel Messiah

Thursday, December 10, 2009 at 8:00 p.m. – The Music Center at Strathmore

Friday, December 11, 2009 at 8:00 p.m. – JMSH/p>

Marin Alsop, conductor

Clifford Carter, piano

Bob Christianson, Hammond B-3 Organ

Mike Pope, bass

Clint de Ganon,

Experience “the jazziest, most soulful reinterpretation of Handel’s Messiah you’ll ever hear” (New York Post). Having thrilled audiences across the country, Too Hot to Handel takes the timeless brilliance of Handel’s classic oratorio and infuses it with a blend of jazz, gospel, rock and R&B.

Tickets from $26.

Casual Concert Series

Too Hot to Handel: The Gospel Messiah

Saturday, December 12, 2009 at 11:00 a.m. – JMSH

Marin Alsop, conductor

Clifford Carter, piano

Bob Christianson, Hammond B-3 Organ

Mike Pope, bass

Clint de Ganon, drums

Experience “the jazziest, most soulful reinterpretation of Handel’s Messiah you’ll ever hear” (New York Post). Having thrilled audiences across the country, Too Hot to Handel takes the timeless brilliance of Handel’s classic oratorio and infuses it with a blend of jazz, gospel, rock and R&B. This casual concert series performance features the highlights of The Gospel Messiah in an hour-long program with no intermission.

Tickets from $26.

BSO at Frederick

Two Centuries of Strings

Sunday, December 13, 2009 at 3:00 p.m.—All Saints Episcopal Church

Madeline Adkins, violin

Rebecca Nichols, violin

Karin Brown, viola

Bo Li, cello

Michael Lisicky, oboe

Mozart: Oboe Quartet in F Major, K. 370

Shostakovich: String Quartet No. 8

Brahms: String Quartet No. 3 in B-flat Major, Op. 67

Tickets $20 general admission.

BSO’s Holiday Spectacular

Friday, December 18, 2009 at 2:00 p.m. & 7:30 p.m. – JMSH

Saturday, December 19, 2009 at 2:00 p.m. & 7:30 p.m. – JMSH

Sunday, December 20, 2009 at 2:00 p.m. & 7:30 p.m. – JMSH

Tuesday, December 22, 2009 at 2:00 p.m. & 7:30 p.m. – JMSH

Wednesday, December 23, 2009 at 2:00 p.m. & 7:30 p.m. – JMSH

Jack Everly, artistic director and conductor

Steven Reineke, guest conductor

Ann Hampton Callaway, host and vocalist

Daniel Okulitch, bass-baritone

Capitol Quartet

Holiday Spectacular Chorus and Dancers

Baltimore School for the Arts Dancers

Whirl into a winter wonderland with Ann Hampton Callaway as she hosts this musical extravaganza that has become Baltimore’s most popular holiday tradition! Jack Everly and Steven Reineke conduct more than 100 singers, dancers and musicians, a show-stopping troupe of tap-dancing Santas and special guests, the Capitol Quartet.

Adult tickets from $35, child tickets from $17.

While current at the time of publication, this calendar is subject to change. Updated calendars are issued regularly. For the most recent version, please contact the BSO Public Relations Office.

VENUES

  • Joseph Meyerhoff Symphony Hall (JMSH): 1212 Cathedral Street, Baltimore, Md.

  • The Music Center at Strathmore: 5301 Tuckerman Lane, N. Bethesda, Md.

  • All Saints Episcopal Church: 106 West Church Street, Frederick, Md.

  • Todd Performing Arts Center: Chesapeake College, Wye Mills, Md.

TICKETS

  • Tickets for Joseph Meyerhoff Symphony Hall, The Music Center at Strathmore and BSO at Frederick performances are on sale now through the BSO Ticket Office, 410.783.8000, 877.BSO.1444 or BSOmusic.org.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In ...
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

Teaching Composition – What are we trying to achieve

By -
In the process of learning composition I have spent time with a number of instructors who have encouraged me to write twelve-tone, pitch-class, electro-acoustic and other forms of experimental techniques. No matter how much I might understand and appreciate the work of other composers in the genres, these are not forms of music I resonate with. They are simply not forms of music I listen to and I struggle with the idea of writing them. However, in a Master Class by Libby Larsen she made the comment, “Learn them all, because all forms of music have something to offer.” This I very much agree. There are elements of each of the above mentioned forms (and others) that I do resonate with. Berg’s Violin Concerto is a beautiful twelve-tone work, although it is possible to look at numerous sections of the music with a “tonal” analysis. Another composer friend, Gary Bachlund commented that using these techniques can narrow the choices for how to compose a piece of work. If you look at ...
Read more