Greg Sandow has an interesting post "Unexpected Classical Music" talking about some wonderful moments in film where the action is set over versions of classical music. Add to this the recent tour of "Star Wars in Concert" or the Howard Shore tour of the music from "Lord of the Rings" and you begin to see there is a bleed over from classical music and film and how the two are marketed in our current society.
However, when ever you read articles of current classical composers very seldom do you see any references to the big name film composers - even though Britten, Stravinsky, Shostakovich, Adams, Glass, all big names in the classical music world, also wrote music for film. Only recently has Korngold's violin concerto started to receive recognition as a classical piece. It wasn't written for a film, but since Korngold was such a big name in film his music has been "tarnished" with the "film but not classical" stain.
This is unfortunate. Because in Anne Midgette's article in the Washington Post, "Classical music has its day, albeit a muddled one, at the White House" there seems to be the general consensus in our society that classical music isn't fun - so the White House is trying to change that attitude. Yet, we are constantly exposed to classical music in film and television. So, if it isn't fun or entertaining why is the entertainment industry still using so much of it?
Perhaps what we need is a new perspective on what is classical music. Take out the stuffy image of grey haired concert goers and replace it with the hip and glitzy film and television red carpet treatment. Liszt and Beethoven used to be "Rock Stars" in their day. Ok, maybe John Williams isn't quite the dashing young stud we need for a glossy media image - but there are composers and performers out there who are. Anne wrote in her article:
"If the four performers had anything in common, it was their young, fresh, down-to-earth image, from Pratt's dreadlocks to Bell's signature untucked shirt and blue jeans at the afternoon concert for the students that followed the so-called master classes. "
Add to this the list of virtuoso performers who have that "star" potential, Hilary Harn, Sarah Chang, Olga Kern, Ingrid Fliter, Yuja Wang, Arabella Steinbacher, Lang Lang... and the list goes on (I didn't even mention the numerous opera stars who have multi-million dollar recording contracts). These are all young, extremely impressive musicians with both a flare for the music and the "look" that our modern media seems to want. Marin Alsop and John Adams both have engaging personalities and again, that look that makes them attractive in the press. Nico Muhly is an up-and-coming composer who has the same qualities (and is young).
However, Nico is writing film music (as is Adams). If we continue to think of film music as less than, or of classical music as older/stuffy - than we will not really appreciate what these artists have to offer. That's would be very unfortunate.