Mussorgsky’s Pictures at an Exhibition is the basis for “Pictures Reframed”

By -

Norwegian pianist Leif Ove Andsnes has embarked on a major collaboration with South African-born artist Robin Rhode, creating a special program entitled “Pictures Reframed”. At the core of the project is Mussorgsky’s epic piano suite Pictures at an Exhibition, and it combines music, film and still imagery.

The world premiere of “Pictures Reframed” takes place at Lincoln Center on November 13 & 14, but National Public Radio provides a preview – including interviews with the artists – on Friday, August 21 during All Things Considered, broadcast between 4:00 pm and 6:00 pm eastern time (the segment is currently slotted to run at the end of the first hour of the program – approximately 4:50pm New York time). Visit NPR's newly designed music web site at http://www.npr.org/music/ to see video footage of the development of the project; and for those who miss the radio broadcast, the ATC audio segment will be available online, at the same link, after 7pm eastern time.

EMI Classics, for which Leif Ove Andsnes records exclusively, will release the project on both DVD and CD in the fall, before the world premiere performances in November. The project tours the United States and Europe during November and December, with Andsnes performing Mussorgsky’s Pictures at an Exhibition while images and videos by Rhode are projected onto screens surrounding the piano. The sponsor of “Pictures Reframed” is StatoilHydro, and New York’s Lincoln Center is the commissioning arts institution.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In ...
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

Teaching Composition – What are we trying to achieve

By -
In the process of learning composition I have spent time with a number of instructors who have encouraged me to write twelve-tone, pitch-class, electro-acoustic and other forms of experimental techniques. No matter how much I might understand and appreciate the work of other composers in the genres, these are not forms of music I resonate with. They are simply not forms of music I listen to and I struggle with the idea of writing them. However, in a Master Class by Libby Larsen she made the comment, “Learn them all, because all forms of music have something to offer.” This I very much agree. There are elements of each of the above mentioned forms (and others) that I do resonate with. Berg’s Violin Concerto is a beautiful twelve-tone work, although it is possible to look at numerous sections of the music with a “tonal” analysis. Another composer friend, Gary Bachlund commented that using these techniques can narrow the choices for how to compose a piece of work. If you look at ...
Read more