Vladimir Spivakov and Olga Kern US Recital Appearances February 2012

By -

Internationally Acclaimed Violinist and Pianist Visit Boston, NYC, Chicago, Seattle and San Francisco to Perform Repertoire of Brahms, Stravinsky, Pärt, Franck, Schnittke and Shostakovich

In February 2012, violinist Vladimir Spivakov and pianist Olga Kern will embark on a rare joint recital tour in the United States, visiting top concert halls in Boston, New York City, Chicago, Seattle and San Francisco. This is the powerful duo’s first ever joint recital tour outside of Europe, and they have created a dynamic program of works by Brahms, Stravinsky, Pärt, Franck and Schnittke. At the Carnegie Hall concert only, Spivakov and Kern will be joined by celebrated cellist and 2012 Musical America Artist of the Year, David Finkel of the Emerson String Quartet for a special performance of Shostakovich’s Piano Trio No. 2. (complete repertoire list below).

Throughout his career, spanning nearly four decades, violinist Vladimir Spivakov has been praised by critics for his deep insight into composers’ intentions, the richness and beauty of his tone, his fine phrasing and nuance, his emotional impact on his audiences, and his refined artistry and intelligence. Mr. Spivakov made his United States recital debut in 1975 and international engagements quickly followed. He has performed as soloist with the most important orchestras in the world, and collaborated with some of the 20th century’s most eminent conductors, including Svetlanov, Kondrashin, Temirkanov, Rostropovich, Bernstein, Leinsdorf, Ozawa, Maazel, Giulini, Masur, Chailly, Conlon and Abbado. In addition to performing major traditional works, Mr. Spivakov has continually treated his audiences to new and innovative repertoire, both in chamber music and orchestral works. Mr. Spivakov plays a violin by Stradivari. Spivakov is equally renowned as Conductor and Founder of the Moscow Virtuosi and as Founder, Artistic Director and Principal Conductor of the National Philharmonic of Russia.

Olga Kern is the striking young Russian Gold Medal winner of the 2001 Van Cliburn International Piano Competition. Her performance of the Rachmaninoff Piano Concerto No. 3 made her the first woman to achieve this distinction in over 30 years. Kern made her New York debut at Carnegie's Zankel Hall in May, 2004, and eleven days later returned to New York to play again, this time on the stage of the Isaac Stern Auditorium at the invitation of Carnegie Hall. Ms. Kern is a magnetic performer with one of the most prodigious piano techniques of any young pianist. Last season, the Dallas Symphony Orchestra and Van Cliburn Foundation honored Ms. Kern’s Cliburn victory 11 years ago with a co-presentation of her talents in March and April of 2011. Also in 2011, Kern performed with the symphonies of Detroit, Anchorage, Nashville, Dallas, Virginia, St. Louis, Rochester, Pittsburgh, Madison, Johnson City, Syracuse and Colorado. Additionally in North America, she has been invited to perform at Longwood Gardens, the Sanibel Music Festival, the Winter Park Bach Festival, the Royal Conservatory of Music in Toronto, and Drake University. Ms. Kern records exclusively with Harmonia Mundi, and her Chopin Sonatas CD was released in 2010.

Vladimir Spivakov and Olga Kern 2012 Recital Tour

February 17 Boston, MA - Sanders Theatre

February 18 New York, NY - Carnegie Hall

February 19 Chicago, IL - Orchestra Hall

February 25 Seattle, WA - Benaroya Hall

February 26 San Francisco, CA - Herbst Theatre


Program:

Johannes Brahms, Violin Sonata No. 3 in D Minor, op. 108
Igor Stravinsky, ‘Suite Italienne’
Arvo Pärt, Spiegel im Spiegel (dedicated to Vladimir Spivakov)
Cesar Franck, Sonata in A Major

Program – February 18 (Carnegie Hall):

Johannes Brahms, Violin Sonata No. 3 in D Minor, op. 108
Igor Stravinsky, ‘Suite Italienne’
Alfred Schnittke, Prelude in Memoriam Dmitri Shostakovich
Dmitri Shostakovich, Piano Trio No. 2 in E Minor, Op.67 violin (with David Finkel)

Comments

mickeyhouse said…
To brush up on your classical music before this wonderful concert, try downloading the Ipad applications iClassics! I downloaded it the other day and immediately became one of my favorite apps. It is basically a guide or map of all classical music past and present. Download it and let me know what you think! Especially before this upcoming concert!
January 24, 2012 at 11:52 AM
Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In ...
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

Teaching Composition – What are we trying to achieve

By -
In the process of learning composition I have spent time with a number of instructors who have encouraged me to write twelve-tone, pitch-class, electro-acoustic and other forms of experimental techniques. No matter how much I might understand and appreciate the work of other composers in the genres, these are not forms of music I resonate with. They are simply not forms of music I listen to and I struggle with the idea of writing them. However, in a Master Class by Libby Larsen she made the comment, “Learn them all, because all forms of music have something to offer.” This I very much agree. There are elements of each of the above mentioned forms (and others) that I do resonate with. Berg’s Violin Concerto is a beautiful twelve-tone work, although it is possible to look at numerous sections of the music with a “tonal” analysis. Another composer friend, Gary Bachlund commented that using these techniques can narrow the choices for how to compose a piece of work. If you look at ...
Read more