Clarinetist Alexander Fiterstein performs works by Ronn Yedidia on a CD to be released by Naxos on March 27

By -
Clarinetist Alexander Fiterstein performs works by contemporary composer and pianist Ronn Yedidia in a recording to be released by Naxos Records on Tuesday, March 27 as part of Naxos’s American Classics Series. The recording features works for clarinet and piano including Impromptu, Nocturne and World Dance, Farewell, Nathaniel, and Poème performed by Mr. Fiterstein and Mr. Yedidia; and Concertino, a work for clarinet, piano and string trio, performed by Mr. Fiterstein, Ronn Yedidia, violinist Arnaud Sussmann, violist Melissa Reardon, and cellist Nicholas Canellakis. The album will be available on Amazon.com, Arkivmusic.com, and iTunes.

Alexander Fiterstein was introduced to Ronn Yedidia’s music in 2006 through friend and pianist Alon Goldstein who was then performing one of Mr. Yedidia’s piano works in recital, and the following year Concertino was commissioned for Mr. Fiterstein. Concertino began as a clarinet and piano piece but quickly became a larger and more ambitious work that grew to include a string trio. Mr. Fiterstein explains that the work “rapidly shifts from one mood to the next and has many different musical elements; European 'chanson,' Mediterranean and Balkan dance, and klezmer music are all formative components of the piece. Concertino is a large scale work, in one continuous movement and quite symphonic in parts.” The work was premiered by Mr. Fiterstein in 2007.

Farewell, Nathaniel is dedicated to Ronn Yedidia’s colleague, Dr. Nathaniel Amadeus Yangco, who lost his life in a tragic scuba diving accident. It is scored for clarinet and piano in honor of Nathaniel’s father, Dr. Bienvenido Yangco, who is a clarinetist. The work was premiered at New York ’s Merkin Concert Hall in the spring of 2008 by Alexander Fiterstein .

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Acclaimed Fauré Quartett returns to Deutsche Grammophon with their first recording of Brahms

By -
Image
The Fauré Quartett continues to add authoritative recordings to the chamber music catalog with their new recording of two Brahms quartets, available from Deutsche Grammophon on January 12, 2010. These large, some say symphonic, works test the limits of technical and musical capabilities, and the Fauré Quartett once again proves why they are one of the most acclaimed ensembles performing today. Within a short period of time the Fauré Quartett has conquered the great concert halls of London , Paris , Berlin , Amsterdam , Brussels , Geneva , Hamburg , Frankfurt, Milan , Buenos Aires , Rio de Janeiro and elsewhere. “They attract superlatives wherever they go,” wrote The Strad following a concert at London ’s Wigmore Hall, while the Süddeutsche Zeitung praised them for a performance that “brought tremendous pleasure by highlighting interpretative details that had scarcely ever been heard before”. The Fauré Quartett strives to achieve a unique sound for Brahms (as indeed for every work)
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more