Baltimore Symphony Orchestra Opens Family Concert Series with “Halloween Spooktacular,” Oct. 30

By -

Program features Actor Timothy Marrone in Lemony Snicket’s “The Composer is Dead

The Baltimore Symphony Orchestra will present “Halloween Spooktacular” led by the BSO-Peabody Bruno Walter Assistant Conductor Ilyich Rivas, Saturday, October 30 at 11 a.m. at the Joseph Meyerhoff Symphony Hall. The program features Lemony Snicket’s The Composer is Dead with actor Timothy Marrone as narrator. The story is a gripping murder mystery that makes every member of the orchestra a suspect. As the inspector interrogates each orchestra section, each instrument is brought to life in this musical mystery.

Children’s author Lemony Snicket is world-renowned for his stories captured in A Series of Unfortunate Events, selling more than 60 million copies worldwide in 39 languages. The first three stories in this series were later combined to create the film, A Series of Unfortunate Events, starring comedian Jim Carrey and Academy-Award winner Meryl Streep. Nathaniel Stookey originally created The Composer Is Dead as an orchestral work with narration by Lemony Snicket. The work was commissioned by the San Francisco Symphony and premiered in 2006, with Lemony Snicket narrating and Edwin Outwater conducting.

The BSO Family Fun Zone will begin at 10 a.m. in the Meyerhoff lobby. Children and their families can take advantage of numerous free, age-appropriate pre-concert activities, including, the Maryland Zoo’s ZOOmobile, an instrument petting zoo presented by Music & Arts and face painting. Children are encouraged to dress in their favorite Halloween costume for a chance to win prizes.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In ...
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

Teaching Composition – What are we trying to achieve

By -
In the process of learning composition I have spent time with a number of instructors who have encouraged me to write twelve-tone, pitch-class, electro-acoustic and other forms of experimental techniques. No matter how much I might understand and appreciate the work of other composers in the genres, these are not forms of music I resonate with. They are simply not forms of music I listen to and I struggle with the idea of writing them. However, in a Master Class by Libby Larsen she made the comment, “Learn them all, because all forms of music have something to offer.” This I very much agree. There are elements of each of the above mentioned forms (and others) that I do resonate with. Berg’s Violin Concerto is a beautiful twelve-tone work, although it is possible to look at numerous sections of the music with a “tonal” analysis. Another composer friend, Gary Bachlund commented that using these techniques can narrow the choices for how to compose a piece of work. If you look at ...
Read more