Second Annual Rusty Musicians Event with the Baltimore Symphony Orchestra Announced for April 14 at Strathmore

By -

Amateur conductors invited to participate in a master class with Music Director Marin Alsop

The Baltimore Symphony Orchestra (BSO) announces the return of “Rusty Musicians with the BSO” on Thursday, April 14 from 7 p.m. to 10:30 p.m. at the Music Center at Strathmore. Amateur musicians are invited to join members of the BSO on stage to rehearse and perform Sibelius’ Finlandia and Tchaikovsky’s Marche Slave led by BSO Music Director Marin Alsop. The evening will include two 60 minute sessions, beginning at 8 p.m. and 9:20 p.m. Previous Rusty Musician events offered 40 minute sessions. This new format responds to qualitative feedback from previous Rusty Musicians requesting more time on stage to collaborate and perform with the BSO musicians and Marin Alsop. Registration for “Rusty Musicians” is now open at BSOmusic.org/rusty. Concert attendance is free and open to the public.

Also new this session, the BSO will offer a one hour-long master class with Music Director Marin Alsop for twelve amateur conductors. The conductors’ master class precedes the Rusty Musicians event, running from 6:45 p.m. to 7:45 p.m. on April 14 at the Music Center at Strathmore. The master class will be run in a “piano rehearsal” format, with each participant preparing five minutes of the Rusty Musicians repertoire to practice and conduct with piano, coached by Maestra Alsop. Conductors will also be provided premium box seating to observe both Rusty Musician sessions. This event is closed to the public; all other rules, deadlines and fees apply as per registration for orchestral instrumentalists.

REGISTRATION DETAILS
To Apply: Visit http://www.BSOmusic.org/rusty and fill out the application form. Acceptance is limited to the first 200 applicants. Participants must pay a $50 registration fee online upon acceptance into the program to confirm their participation.

Comments

Lindsay Gomes said…
Interested in Rusty Musicians? The Baltimore Symphony Orchestra is also presenting its second annual BSO Academy - an intense, week-long immersion experience with the Orchestra and Music Director Marin Alsop. The week (June 12-18, 2011) features side-by-side rehearsals with BSO musicians and the Music Director, daily sessions of sectionals, master classes, enrichment classes and lectures by BSO musicians and local healthcare professionals and opportunities for private lessons and chamber music. The week culminates in a finale concert with Academy participants and BSO musicians, led by Maestra Alsop on-stage at the Joseph Meyerhoff Symphony Hall. Visit BSOmusic.org for more information or to apply!

Lindsay Gomes
Academy Coordinator
Baltimore Symphony Orchestra
410.783.8051
January 27, 2011 at 11:11 AM
Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Acclaimed Fauré Quartett returns to Deutsche Grammophon with their first recording of Brahms

By -
Image
The Fauré Quartett continues to add authoritative recordings to the chamber music catalog with their new recording of two Brahms quartets, available from Deutsche Grammophon on January 12, 2010. These large, some say symphonic, works test the limits of technical and musical capabilities, and the Fauré Quartett once again proves why they are one of the most acclaimed ensembles performing today. Within a short period of time the Fauré Quartett has conquered the great concert halls of London , Paris , Berlin , Amsterdam , Brussels , Geneva , Hamburg , Frankfurt, Milan , Buenos Aires , Rio de Janeiro and elsewhere. “They attract superlatives wherever they go,” wrote The Strad following a concert at London ’s Wigmore Hall, while the Süddeutsche Zeitung praised them for a performance that “brought tremendous pleasure by highlighting interpretative details that had scarcely ever been heard before”. The Fauré Quartett strives to achieve a unique sound for Brahms (as indeed for every work)
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more