TONIGHT: Cleveland Orchestra and New World Symphony Benefit Concert for HAITI

By -

"Musicians for Haiti" - a Benefit Concert - Wednesday January 27th 8pm at Lincoln Theatre, Miami

Musicians from The Cleveland Orchestra and the New World Symphony, America’s Orchestral Academy (NWS), will join forces to present “Musicians for Haiti,” a concert to benefit Haiti, Wednesday, January 27 at 8:00 P.M. at the Lincoln Theatre (541 Lincoln Road). The performance will be conducted by The Cleveland Orchestra Music Director Franz Welser-Möst and NWS Conducting Fellow Teddy Abrams.

The performance, the latest collaboration between the two prestigious institutions in a relationship that began nearly 18 years ago, will include Barber’s Adagio for Strings, Elgar’s Nimrod from Enigma Variations, Beethoven’s Leonore Overture No. 3 and Tchaikovsky’s Symphony No. 4.

All ticket sales, sponsorship money and donations will benefit Partners In Health (PIH, www.pih.org), an organization that has been working on the ground in Haiti for over 20 years and is helping those affected by the recent earthquake. The work of PIH has three goals: to care for patients, to alleviate the root causes of disease in their communities, and to share lessons learned around the world. PIH works to bring modern medical care to poor communities in nine countries around the world. Based in Boston , PIH employs more than 11,000 people worldwide, including doctors, nurses and community health workers. The vast majority of PIH staff are local nationals based in the communities served.

All tickets for the concert are $35, and are available by calling the New World Symphony box office at 305-673-3331 or online at www.nws.edu. Patrons may also make additional donations, above the price of the ticket, at the time of ticket purchase or at the performance.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In ...
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

Teaching Composition – What are we trying to achieve

By -
In the process of learning composition I have spent time with a number of instructors who have encouraged me to write twelve-tone, pitch-class, electro-acoustic and other forms of experimental techniques. No matter how much I might understand and appreciate the work of other composers in the genres, these are not forms of music I resonate with. They are simply not forms of music I listen to and I struggle with the idea of writing them. However, in a Master Class by Libby Larsen she made the comment, “Learn them all, because all forms of music have something to offer.” This I very much agree. There are elements of each of the above mentioned forms (and others) that I do resonate with. Berg’s Violin Concerto is a beautiful twelve-tone work, although it is possible to look at numerous sections of the music with a “tonal” analysis. Another composer friend, Gary Bachlund commented that using these techniques can narrow the choices for how to compose a piece of work. If you look at ...
Read more