. Interchanging Idioms: RELEASED TODAY: American Composers Orchestra's Second Digital Album featuring 5 World Premieres

Tuesday, February 14, 2012

RELEASED TODAY: American Composers Orchestra's Second Digital Album featuring 5 World Premieres

American Composers Orchestra’s Second Digital Download Album Emerging Composers Series: Vol. 1

World Premiere Recordings by Kati Agócs, Michael Gatonska, Fang Man, Clint Needham, and Gregory Spears
American Composers Orchestra (ACO) announces the February 14 release of its second digital download album, Emerging Composers Series: Vol. 1. Following the March 2011 release of the orchestra’s inaugural digital album (Playing It UNsafe), this new album features world premiere recordings of music by rising-star composers performed between 2006 and 2009 as part of Orchestra Underground, ACO’s cutting-edge orchestral series at Carnegie Hall’s Zankel Hall. By making available never-before-recorded orchestral music, ACO goes beyond the concert hall, reaching new listeners and gaining greater exposure and visibility for the young composers it showcases in this series. ACO will release two additional digital albums this spring – an album of new works for extended instruments with the orchestra, and an album of multimedia works.

Emerging Composers Series: Vol. 1 includes music by Kati Agócs, Michael Gatonska, Fang Man, Clint Needham, and Gregory Spears. Gregory Spears’s Finishing was first developed as part of ACO’s Readings and Lab at University of Pennsylvania in 2007 – a sublime work that uses dog whistles (which are audible) and tape recorders within the orchestra. Kati Agócs deftly strings together a series of exquisite, intimate sonorities in her ACO-commissioned Pearls. Clint Needham’s Chamber Symphony explores themes of personal and universal transformation; the composition was the result of his winning ACO’s prestigious Underwood commission. Fang Man, also an alumna of the Underwood program, combines clarinet soloist (ACO’s own Creative Advisor, virtuoso clarinetist Derek Bermel) and electronic techniques (performed by the composer and Alexis Baskind) with melodies from Chinese opera in Resurrection. Michael Gatonska, another Underwood commissionee, uses the ever-shifting configurations of birds in flight as the organizing principal behind his After the Wings of Migratory Birds, creating music that migrates through space with dynamic energy. Four of the five works on this album are ACO commissions.

Creating opportunities for emerging composers is central to the mission of American Composers Orchestra, which seeks to be the leading research and development laboratory for American composers, orchestras and the wider cultural community. All too often it is the case that up-and-coming composers are excluded from professional orchestra programs, as better-known music is programmed. Yet, writing for orchestra remains one of the supreme challenges and rewards for most composers. The instrumental possibilities, the timbral nuances, the dynamic range, and the raw energy of dozens of talented instrumentalists unified in their musical execution is still, even in the 21st century, a singular and powerful sound experience. It is what has drawn these fine young composers to the orchestra, and it is the opportunity to see and hear what these composers might do with these possibilities that has drawn ACO to them.

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