Performing Arts Against AIDS Strikes Up the New Season with “Up Our Alley 13” on September 19

By -

Classical music and performing arts industry professionals will descend on Greenwich Village’s hallowed Bowlmor Lanes on Monday, September 19, for what promises to be an evening of great fun, embarrassment, and goodwill for Up Our Alley 13: Classical Action's Annual Benefit Bowling Bonanza. The event attracts scores of worker-bees from New York City’s music professionals, including arts presenters, service organizations, and management and publicity firms, who will try to keep their minds uncharacteristically out of the gutter and help Classical Action raise funds to fight AIDS and other critical illnesses. Since its inception in 1999, Up Our Alley has raised more than $1.2 million dollars for Classical Action and its parent organization, Broadway Cares/Equity Fights AIDS.

In the weeks leading up to the event, participants have worked hard to persuade friends, family, and non-participating colleagues to sponsor their once-a-year attempts at physical activity – all in the spirit of putting the fun in fundraising towards a cause whose need unfortunately shows no signs of abating.

Many of the key players from New York’s classical music community will participate in Up Our Alley 13: Classical Action’s Thirteen Annual Benefit Bowling Bonanza. As in past seasons, the event will feature a wide range of bowling skills (from unfortunate to abysmal) from teams representing such organizations as Opera News, IMG Artists, Lincoln Center, the Orchestra of St. Luke’s, and last year’s recipient of “Best Team Costumes,” 21C Media Group; competing in their attempts not to reveal the true extent of their bowling inadequacies, the teams will unite in raising as much money as they can for Classical Action.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In ...
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

Teaching Composition – What are we trying to achieve

By -
In the process of learning composition I have spent time with a number of instructors who have encouraged me to write twelve-tone, pitch-class, electro-acoustic and other forms of experimental techniques. No matter how much I might understand and appreciate the work of other composers in the genres, these are not forms of music I resonate with. They are simply not forms of music I listen to and I struggle with the idea of writing them. However, in a Master Class by Libby Larsen she made the comment, “Learn them all, because all forms of music have something to offer.” This I very much agree. There are elements of each of the above mentioned forms (and others) that I do resonate with. Berg’s Violin Concerto is a beautiful twelve-tone work, although it is possible to look at numerous sections of the music with a “tonal” analysis. Another composer friend, Gary Bachlund commented that using these techniques can narrow the choices for how to compose a piece of work. If you look at ...
Read more