YouTube Symphony Orchestra Enchants Audience and Lives Again on YouTube

By -


The Global Mashup

The one-of-a-kind YouTube Symphony Orchestra gave its debut on April 15 at New York 's renowned Carnegie Hall, with Artistic Advisor and Conductor Michael Tilson Thomas on the podium, and before an enthusiastic, sold-out audience. News coverage – online, in print, and on TV and radio – went around the world in the weeks and days before the concert, which was the brainchild of young staff members at YouTube’s parent, Google, and which was brought to Carnegie Hall and the world stage by a battery of talented people from more than 30 countries.

The unique program featured musical selections ranging from a 16th-century Venetian Canzon by Giovanni Gabrieli – played by two choirs of brasses bracing the stage from first-tier boxes – to two world premieres: Internet Symphony No. 1, “Eroica”, composed for the occasion and conducted by Tan Dun, and Mason Bates’s Warehouse Medicine from The B-Sides, for computer and full orchestra. And the orchestra WAS full – 96 players from 30 countries, all of whom earned their places on the Carnegie Hall stage by uploading their auditions to a dedicated page on Google’s gigantic website. A jury of experts selected the finalists, and fans helped decide the winners by voting for their favorites from the auditions posted on YouTube.

Media from around the world converged upon the venerable New York concert hall, and many have already posted reports and reviews. The chief music critic of the hometown New York Times, posting at 2:30 in the morning, wrote:

“After all the buzz about the YouTube Symphony Orchestra … after months of interactive computer chat … after 96 winning players were selected … and were brought to New York for a group summit and Carnegie Hall concert, how did the YouTube Symphony Orchestra finally play?

“Quite well, actually … With the chosen musicians coming from more than 30 different countries and vastly different backgrounds, the program needed to touch as many eras and styles as possible. … The idea … was to bring together musicians from outside the professional orchestra loop, and at that the project was a breakthrough, or so it seemed from the video interviews with several of the players that were shown … . After all the spoken and video tributes to YouTube and Google, you can only hope that this project becomes permanent.”

The Associated Press also chimed in early, with:

“From the joyous third movement of Brahms’s Fourth Symphony, which opened the concert, to the fiery crashes of Tchaikovsky’s Fourth Symphony at the end, Thomas led the musicians in a remarkable performance.

“In between these immortal pillars, the orchestra played a wide assortment of works, including challenging pieces by Lou Harrison, Heitor Villa-Lobos, John Cage, and the world premiere of Tan Dun’s Internet Symphony No. 1, ‘Eroica’.

“Despite the short preparation time, they played like a finely tuned instrument.”

A critic from ConcertoNet, the France-based international classical music website, got right into the spirit of the occasion:

“Mr. Thomas is the model of the energetic conductor, and the orchestra reacted to him well, playing with velocity, accuracy … . They played as one ensemble … . Most of the pieces were either emphasizing a consort … or accompanying a world-class soloist. And in this, they succeeded beyond any criticism. In a way, the YouTube Symphony Orchestra is simply a 21st-century version of the Asian Youth Orchestra or the European Youth Orchestra ... . But YouTube actually circumnavigated the globe (though no African or Middle Eastern players were in the orchestra). Even more important, the ensemble had – or has – the funds to make the concert into a cerebral party. Not with balloons, games, and songs. But with the most fascinating art, electronic legerdemain, endless talent, and the totally transformed architecture of the world’s most distinguished concert hall.”

A virtual “concert” experience that YouTube titles “The Internet Symphony Global Mashup” is the synchronized performance of Tan Dun’s Internet Symphony as uploaded by many auditioners, featuring those who made it to Carnegie and many others who did not, but brought their unique spirit (and sometimes unique instruments) to the work. It’s had over half a million hits since its debut early in the day of April 15.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more