Dallas Symphony Orchestra at Bravo! Vail Valley Music Festival with all Beethoven Concert - June 29

By -

The Dallas Symphony Orchestra opens its six concert residency at Bravo! Vail Valley Music Festival with Beethoven's beautiful Egmont Overture. Going from strong to stronger, with Ida Kavafian on violin, Peter Wiley on Cello and the new music director of the festival Anne-Marie McDermott on piano, Maestro Jaap van Zweden is tackles the brilliant Triple Concerto. The Dallas Symphony Orchestra then continues the Beethoven theme, "Architect of Humanity: Great Works for Orchestra" for the opening concert with Beethoven's Symphony No. 7 in A Major, Op. 92.

Conductor Jeff Tyzik will lead the Dallas Symphony on July 1st with "Three Broadway Divas," featuring Debbie Gravitte, Jan Horvath and Christiane Noll. You'll experience the glitter of Broadway as the Dallas Symphony Orchestra and three incredible Broadway Divas dazzle you with a spectacular blend of Broadway favorites.

Jaap van Zweden then returns to the podium on July 2nd for the "Hammer Blows of Fate" and Mahler's Symphony No. 6.

"To those who better understand Mahler, our world and, perhaps, themselves, the work as a whole is exhilarating, not depressing. It is preeminently cathartic, just as the greatest tragedies of Ancient Greece are cathartic." - Jack Diether, New York Times

And that's just the beginning of a month long music festival in the beautiful Vail Valley.

For more information on these and many other wonderful concerts (or to get tickets) visits the Bravo! Vail Valley Music Festival Website.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In ...
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

Teaching Composition – What are we trying to achieve

By -
In the process of learning composition I have spent time with a number of instructors who have encouraged me to write twelve-tone, pitch-class, electro-acoustic and other forms of experimental techniques. No matter how much I might understand and appreciate the work of other composers in the genres, these are not forms of music I resonate with. They are simply not forms of music I listen to and I struggle with the idea of writing them. However, in a Master Class by Libby Larsen she made the comment, “Learn them all, because all forms of music have something to offer.” This I very much agree. There are elements of each of the above mentioned forms (and others) that I do resonate with. Berg’s Violin Concerto is a beautiful twelve-tone work, although it is possible to look at numerous sections of the music with a “tonal” analysis. Another composer friend, Gary Bachlund commented that using these techniques can narrow the choices for how to compose a piece of work. If you look at ...
Read more