Deutsche Grammophon & Decca Honor the 100th Anniversary of Mahler’s Death

By -

Interactive Website Allows Users to Stream Mahler Recordings and Explore the Catalog at No Cost

May 18th, 2011 marked the 100th anniversary of the death of Gustav Mahler. Today, Mahler’s works are performed and recorded frequently and enjoy an esteemed place in any orchestra’s standard repertoire. In 2010 Deutsche Grammophon & Decca celebrated the 150th anniversary of Mahler’s birth with the Mahler150.com website, and the site continues to honor Mahler this year. In addition, DG will release a rare archival recording of the composer’s Das Lied von der Erde featuring Fritz Wunderlich and Dietrich Fischer-Dieskau in a performance led by Josef Krips.

The Mahler 150 website, www.mahler150.com, is devoted to the composer and his music and offers full-track streaming of the complete Deutsche Grammophon and Decca Mahler catalogs featuring some 180 symphony recordings. Additionally, the comprehensive out-of-print section of over 60 albums includes important recordings that have become virtually unobtainable and legendary performances that are being made available for the first time digitally via the DG Web Shop. Simply select a symphony at the top of the site and then enjoy listening to a wide variety of recordings, both historic and recent. Listeners can compile their favorite playlist of Mahler recordings or simply sample DG and Decca’s library of great recordings.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In ...
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

Teaching Composition – What are we trying to achieve

By -
In the process of learning composition I have spent time with a number of instructors who have encouraged me to write twelve-tone, pitch-class, electro-acoustic and other forms of experimental techniques. No matter how much I might understand and appreciate the work of other composers in the genres, these are not forms of music I resonate with. They are simply not forms of music I listen to and I struggle with the idea of writing them. However, in a Master Class by Libby Larsen she made the comment, “Learn them all, because all forms of music have something to offer.” This I very much agree. There are elements of each of the above mentioned forms (and others) that I do resonate with. Berg’s Violin Concerto is a beautiful twelve-tone work, although it is possible to look at numerous sections of the music with a “tonal” analysis. Another composer friend, Gary Bachlund commented that using these techniques can narrow the choices for how to compose a piece of work. If you look at ...
Read more