Showing posts from November, 2013

Modern Music for Modern Times

Taking a page of music from today to create music that fits with a modern audience When Bach wrote multi-movement works, he used dances of the day as a basis, a framework for this music. Moving further back there are numerous examples of composers using "popular" tunes folded into religious works so listeners would hear familiar elements in the music of the church, adding layers of meaning and pleasure for all involved. Mozart and Haydn framed their music with styles popular in their day. Beethoven and Liszt were performers as well as composers, getting rave reviews from their improvisational styles, which (again) echoed music of the day. All of these composers took the music of their day and made it something more, but they started with the familiar, with the current music of the day. We do have examples of this same sort of treatment. Lee Johnson wrote the "Dead Symphony No. 6" as a tribute to the Grateful Dead. There if FuGaGa (Lady Gaga Fugue) by Larry Moo

Does your organization (or union) hinder you from being a fan?

Musicians lead busy lives, particularly classical musicians. It takes hours and hours (and hours) of practice to hone our craft, to really be at the top of our game. Add to that many classical musicians juggle multiple jobs, from teaching students, to random gigs and large ensemble rehearsals just to make ends meet. Time is at a premium for many of them, so when do they have the chance to be a fan? When are they suppose to spend time on Facebook and Twitter talking about what their ensemble is up to? However, many musicians are on Facebook and Twitter, thousands of them! They are talking about their lives just like everyone else. The root for their favorite teams, share recipes, post pictures of their travels - but seldom do they talk about the organization they play for. Knowing a lot musicians, connecting with them on Facebook and Twitter, and talking to them on (and off) line, I believe there is a culture in the American orchestra that stifles musicians from sharing their passion