Discover Opera Live: Rigoletto

By -
The Royal Opera Liège proudly presents a new masterpiece in the OperaLive series: Rigoletto. This story of love, seduction and betrayal has been brought to life not only by the live online broadcast but also by the specially designed artwork. This handcrafted artwork is a unique piece and translates the opera we all know and love into a stunning visual. Let us sweep you of your feet by the music, story details and charachter description in this interactive storytelling experience, which you can discover here: http://www.operalive.org/rigoletto/

For centuries opera has touched the melodramatic hearts of thousands of enthusiasts. Opera Live aims to make opera accessible to all audiences through the means of live streaming via the internet. This project will allow people all around the world to discover some of the finest operas composed. Opera Live is where the old embraces the new.

Rigoletto will be broadcasted live on March 23rd, 2010 at 8:00pm (GMT + 1) and available on demand on Opera Live until a month after the live broadcast. This famous opera was composed by Giuseppe Verdi and features the well-known canzone ‘La donna è mobile’. This story of love, seduction and betrayal has been brought to life not only by the live online broadcast but also by the specially designed artwork, commissioned by the Royal Opera of Liège.

Tickets are available either as single viewing or multiple viewings with access to additional information. Enjoy the opera peacefully by yourself at your home and own convenience or invite your friends and turn it into a pleasant evening.

Buying a ticket allows you to experience opera(s) through OperaLive*, and gives you access to a complete information package containing artist biographies, notions about the composer and the composition, the libretto, a discography selection and a poster in pfd format.

Tickets available online.

Comments

Unknown said…
Hey,
you might be happy to know that now operalive is free.

we also made another trailer to discover the new stories

hope you like it too
http://www.operalive.org/donizetti/
May 10, 2010 at 6:40 AM
Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In ...
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

Teaching Composition – What are we trying to achieve

By -
In the process of learning composition I have spent time with a number of instructors who have encouraged me to write twelve-tone, pitch-class, electro-acoustic and other forms of experimental techniques. No matter how much I might understand and appreciate the work of other composers in the genres, these are not forms of music I resonate with. They are simply not forms of music I listen to and I struggle with the idea of writing them. However, in a Master Class by Libby Larsen she made the comment, “Learn them all, because all forms of music have something to offer.” This I very much agree. There are elements of each of the above mentioned forms (and others) that I do resonate with. Berg’s Violin Concerto is a beautiful twelve-tone work, although it is possible to look at numerous sections of the music with a “tonal” analysis. Another composer friend, Gary Bachlund commented that using these techniques can narrow the choices for how to compose a piece of work. If you look at ...
Read more