näive Vivaldi Edition nears its halfway point

By -

Jordi Savall’s Acclaimed Recording of Opera, Farnace
Rinaldo Alessandrini Conducting Two “Glorias”
Oboe Concerti from Alfred Bernardini and Zefiro

In 2000, when the Paris-based record company näive announced its launch of a 15-year project to record the more than 450 works of Antonio Vivaldi held in the National Library in Torino, Italy, many people were sceptical. Nearly 100 CDs by one composer? Now nearly at the halfway point, the Vivaldi Edition is recognized as a groundbreaking project with far-reaching repercussions, from raising the performance level of this composer’s virtuosic music to changing our understanding of the history of Western music.

Antonio Vivaldi is practically a household name today thanks to his ubiquitous piece, The Four Seasons, which is as much a hit today as it was when it was first published in 1725. We are now learning that there are numerous works of equal quality penned by the Venetian priest, including operas on a par with those of Georg Friedrich Handel, sacred music, and hundreds of concertos. The influence this prolific composer had on the history of music is only now beginning to be understood and evaluated, in great part thanks to the Vivaldi Edition.

The project distinguishes itself by engaging some of the finest modern interpreters of Baroque music and working with leading Vivaldi scholars on reconstructing much of the music. The packaging, which has elicited much attention and commentary, presents striking photographic portraits by artist Denis Rouvre. To date, 43 titles have been released, of which eight are full-length operas.

The most recent opera recording, La fida ninfa, features Jean-Christophe Spinosi conducting the Ensemble Matheus and an all-star cast. New Yorker critic Alex Ross made the album a CD of the Week at his popular blog, The Rest Is Noise, and David Stearns gave the album a 4-star review last month in the Philadelphia Inquirer, calling it “one of the ultimate landmarks” in the edition. Lawson Taitte gave the album an A-rating in the Dallas Morning News, reporting:

“Naive's series of Vivaldi operas remains one of our time's most interesting projects. La fida ninfa, top-flight Vivaldi, has had a few previous recordings, all dismally inadequate. This new one boasts an all-star cast and great orchestral playing under Jean-Claude Spinosi, exhilarating in the Red Priest's famous storm imitations, feather-light in the many pastoral moments. The plot involves brothers parted at birth, pirates, lovelorn nymphs and even a goddess or two. Sandrine Piau and Marie-Nicole Lemieux, both sensational, play the sisters; Verónica Cangemi and Philippe Jaroussky are the brothers, Lorenzo Regazzo the pirate and Topi Lehtipuu the sweet-voiced tenor father. All are virtuosos in top form. Whether you're a baroque enthusiast or are relatively new to Vivaldi, you're likely to enjoy this one.”

Antonio Vivaldi: Farnace
Coro del Teatro de la Zarzuela
Les Concert des Nations/Jordi Savall
3CD set available August 25 from naive

Antonio Vivaldi: Gloria RV589 and Gloria RV 588
Introduzione: “Ostro picta, armata spina” RV642
Concerto Italiano (choir and orchestra)/Rinaldo Alessandrini
Sara Mingardo, contralto
Available August 25 from naive

Antonio Vivaldi: Oboe Concerti
Ensemble Zefiro
Alfredo Bernardini, oboe and direction
Available August 25 from naive

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more