London Symphony Orchestra Young Performers team up with Nitin Sawhney and perform James MacMillan

By -

30 October 2009, 7.30pm, Barbican Hall

A special concert bringing together young performers with composer/producer Nitin Sawhney, composer James MacMillan and soloists from the London Symphony Orchestra takes place in the Barbican Hall on 30 October. The concert begins with LSO St Luke’s Fusion Orchestra giving the world premiere of a new work which participants wrote during workshops with Sawhney, one of today’s most influential and versatile creative talents.

In the second half Kristjan Järvi, one of the world’s most exciting conductors, teams up with young LSO On Track musicians from East London and members of the London Symphony Orchestra, to perform James MacMillan’s Into the Ferment. The work is based on Robert Burns’ poem "Willie brewed a peck o’ maut", about three friends who get together for a session of whisky tasting and is written specially for youth orchestra and professional ensemble.

The LSO On Track Youth Orchestra has been formed especially for this concert. All the young players are drawn from LSO’s ten partner boroughs across East London and have been selected by their Music Service to play in this special event. MacMillan has worked closely with the young musicians and will continue do so, attending rehearsals before the 30 October performance.

Now in its fourth year, the LSO St Luke’s Fusion Orchestra is built around a wide range of instruments and musical styles. It fuses the spontaneity and improvisational nature of a jazz group or rock band with the scale and breadth of a symphony orchestra.

CONCERT DETAILS
30 October 2009, 7.30pm, Barbican Hall
LSO ST LUKE’S FUSION ORCHESTRA New work *
MACMILLAN Into the Ferment**

Paul Griffiths conductor*
Nitin Sawhney musical director*
Kristjan Järvi conductor **

LSO St Luke's Fusion Orchestra
LSO On Track Youth Orchestra
Members of the LSO

Tickets: £4 - £7
Secure online booking at lso.co.uk (£1.50 booking fee)
Box office: 020 7638 8891 open Mon-Sat 9am – 8pm, Sun 11am-8pm (£2.50 booking fee)
In person at the Advance Box Office in the Barbican centre (Mon-Sat 9am – 9pm; Sun 12pm – 9pm)

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more