Last Day of the ON AIR Fund Drive for Colorado Symphony Orchestra

By -

When the musicians of the Colorado Symphony Orchestra take the stage, each performance is the culmination of tens of thousands of practice hours. There is something extraordinary and unique about witnessing a group of musicians join forces to play as one voice on stage. But there is always one additional musician – one who isn't performing on stage, but who plays a crucial role in Bringing the Music to Life….and that is YOU, the generous supporter!

EVERY GIFT HELPS BRING THE MUSIC TO LIFE.
Make your gift today!

Visit www.ColoradoSymphony.org or call 303.534.0762

On-air fund drive at KVOD 88.1 FM.You can even Stream KVOD to your computer!

With ticket sales covering just half the cost of presenting the CSO season, contributions from you and other music lovers are key to Bringing the Music to Life. Each year, the Colorado Symphony must raise at least $5 million from individuals, corporations and foundations to maintain high quality concerts and education programs. This week, the Colorado Symphony Orchestra and Colorado Public Radio is in their last day of this extraordinary, one-time only fundraising drive to help the Colorado Symphony keep Bringing the Music to Life.

Please play your part in Bringing the Music to Life by making a special gift to the Colorado Symphony. You may participate by making your first-ever gift to the CSO, or if you are already among the CSO's generous supporters, consider increasing your current commitment. Through a special partnership with many Colorado philanthropists, every dollar you give to the CSO in December will be doubled. As our way of thanking you for Bringing the Music to Life, for every gift of $150+, you will receive an exclusive CD featuring special performances by the Colorado Symphony.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more