Baltimore Symphony Orchestra Performs Musical Score of Planet Earth, BBC’s Award-Winning Documentary, July 8-9

By -

High-definition nature footage to be projected on screens above the Orchestra

The Baltimore Symphony Orchestra will perform Planet Earth Live, an adaptation of the BBC’s award-winning documentary on Thursday, July 8 at 8 p.m. at The Music Center at Strathmore and Friday, July 9 at 7:30 p.m. at the Joseph Meyerhoff Symphony Hall. Featuring spectacular high-definition footage, nature’s most mysterious and beautiful creatures will come to life on the big screen with live orchestral accompaniment conducted by its award-winning composer George Fenton. See below for complete program information.

Planet Earth, a BBC/Discovery co-production, first aired on the Discovery Channel in 2007. With 71 film crews, BBC series producer Alastair Fothergill and his team spent more than 2,000 days in the field across 204 locations in 62 countries, devoting four years to capture the ultimate portrait of the planet. From a humpback whale family feeding in shallow seas, to bar-headed geese soaring over the Himalayas, to the damp, sunless world of cave dwellers, Planet Earth offers viewers rarely captured scenes of the creatures who share the earth with us. It has garnered legions of fans and universal critical acclaim with Oprah Magazine saying, “It is the most beautiful, wondrous and truly majestic series―the best thing I’ve ever seen on TV.” In addition to winning awards in the United Kingdom, the series has won four Emmy Awards and the Peabody Award in the United States. “Planet Earth made a very special connection with the American audience and we are all very excited at the opportunity to recreate the Planet Earth experience live," says composer George Fenton.

COMPLETE PROGRAM INFORMATION
Planet Earth Live
Thursday, July 8, 2010 at 8 p.m. – The Music Center at Strathmore
Friday, July 9, 2010 at 7:30 p.m. – Joseph Meyerhoff Symphony Hall

George Fenton, conductor and composer

Tickets range from $20 to $62 and are available through the BSO Ticket Office, 410.783.8000, 877.BSO.1444 or BSOmusic.org.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more