Baltimore Symphony Orchestra’s 2010 Gala Concert Features Violinist Nadja Salerno-Sonnenberg, Sept. 11

By -

Benefit tickets for Gala Celebration still available

Heralding the start of Baltimore’s social season, the Baltimore Symphony Orchestra will hold its annual Gala Celebration and Concert on Saturday, September 11, 2010 at the Joseph Meyerhoff Symphony Hall. The Gala Concert features Music Director Marin Alsop leading the BSO and world-renowned violinist Nadja Salerno-Sonnenberg in Piazzolla’s The Four Seasons of Buenos Aires. Continuing the tradition of showcasing local artists at the Gala Concert, soprano Jennifer Edwards will sing Villa-Lobos’ “Aria” from Bachiana brasileira No. 5, and guitarists Petrit Ceku, Marco San Nicolas, Jeremy Lyons and Gonzalo Arias Contreras will play Rodrigo’s Allegretto from Concierto Andaluz. Washington, D.C.-based flamenco dancers Anna Menendez and Edwin Aparicio will perform to excerpts from Bizet’s Carmen. The program concludes with Salerno-Sonnenberg, the flamenco dancers and the guitarists joining forces in de Falla’s Spanish Dance No. 1 from La Vida Breve. In addition to kicking off the 2010-2011 season, the Gala Concert’s music and artists celebrate the upcoming National Hispanic Heritage Month, which begins September 15. Tickets for the Gala Concert are available for $50 and $75; benefit tickets for the Gala Celebration start at $500.

The Gala Celebration treats patrons to an evening of entertainment and fine dining provided by Classic Catering. Pre- and post-concert gala festivities will take place in a grand event tent located just outside of the Joseph Meyerhoff Symphony Hall. This year’s gala chairpersons are PNC Bank’s Regional President of Greater Baltimore, Lou Cestello, and his wife Millie. The BSO’s Gala Celebration is the organization’s largest and most important fundraising event each season, raising funds to support the Orchestra’s educational outreach programs in Baltimore and throughout Maryland.

GALA CELEBRATION

Saturday, September 11, 2010 – Joseph Meyerhoff Symphony Hall (JMSH)

The Celebration Gala is a black-tie event.

6:30 p.m.— Gala Celebration, with dining and entertainment—Gala Tent
7:30 p.m.—Doors open for Gala Concert—Joseph Meyerhoff Symphony Hall (JMSH)
8:30 p.m.—Gala Concert featuring violinist Nadja Salerno-Sonnenberg—JMSH
9:45 p.m.—Post-concert party and desserts—Gala Tent

Tickets for the Gala Celebration are available individually or in sponsor groups of 10, and start at $500 per person. For more information or to purchase tickets for the Gala Celebration, contact the BSO Development Department at 410.783.8054.

GALA CONCERT
Saturday, September 11, 2010 at 8:30 p.m. – JMSH

The Gala Concert is black-tie optional.

Marin Alsop, conductor
Nadja Salerno-Sonnenberg, violin
Jennifer Edwards, soprano
Edwin Aparicio, flamenco dancer
Anna Menendez, flamenco dancer
Gonzalo Arias Contreras, guitar
Petrit Ceku, guitar
Jeremy Lyons, guitar
Marco San Nicolas, guitar

Ginastera: “Malambo” from Estancia
Bizet: Excerpts from Suite No. 1 and Suite No. 2 from Carmen
Villa-Lobos: “Aria” from Bachiana brasileira No. 5
Rodrigo: “Allegretto” from Concierto Andaluz
Piazzolla: The Four Seasons of Buenos Aires
de Falla: “Spanish Dance No. 1” from La Vida Breve
7:30 p.m.—Doors open for Gala Concert, refreshments available for purchase—JMSH
8:30 p.m.—Gala Concert—JMSH

Tickets for the Gala Concert are $50 and $75 and are available at the BSO Ticket Office, 410.783.8000 or BSOmusic.org.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more