The Cleveland Orchestra and Music Director Franz Welser-Möst’s first Indiana University Residency to take place January 24-26

By -

Groundbreaking residency will involve every principal musician of the Orchestra teaching and the IU Orchestra and Cleveland Orchestra musicians sharing the stage in rehearsal

Centerpiece of the residency is a concert by The Cleveland Orchestra led by Franz Welser-Möst on January 25 with pianist Pierre-Laurent Aimard as soloist at the IU Auditorium

Music Director Franz Welser-Möst and The Cleveland Orchestra’s first residency at Indiana University will take place January 24-26 in Bloomington, Ind , with the scope of activities providing students with unprecedented access and exposure to one of the country’s major Orchestras over three days.

On Monday, January 24 all 17 of The Cleveland Orchestra’s principal musicians will lead orchestral repertoire master classes with students from the Indiana University (IU) Jacobs School of Music. Musicians in the IU Orchestra will also have the rare opportunity to sit side-by-side with Cleveland Orchestra players in a shared rehearsal led by The Cleveland Orchestra’s Assistant Conductors, James Feddeck, and Sasha Mäkilä.

Music Director Franz Welser-Möst will lead the IU Philharmonic in a coaching session of Bruckner’s Symphony No. 7 on January 24 and will meet with IU conducting students. He will also lead an open rehearsal on Tuesday, January 25 for the centerpiece of the residency, a performance by The Cleveland Orchestra that evening at 8:00 p.m. at the IU Auditorium. The program for this concert is the Overture to Wagner's Tannhäuser, Richard Strauss's Ein Heldenleben ("A Hero's Life"), and Bartók's Piano Concerto No. 2 with pianist Pierre-Laurent Aimard as soloist.

In addition to the teaching and performance activities, the residency will include chamber performances by principal musicians, a visit to Fairview Elementary School and an arts administration seminar. (Full schedule follows.)

The Indiana University Residency is the latest initiative by The Cleveland Orchestra to diversify its activities beyond Cleveland . This month the Orchestra and Franz Welser-Möst will return to Miami for its fifth residency, including concerts at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County January 28 and 29. In July the Orchestra and Franz Welser-Möst will begin the first of a biennial residency in New York as part of the Lincoln Center Festival. Internationally, the Orchestra has ongoing biennial residencies at the Lucerne Festival and at the Musikverein in Vienna .

Cleveland Orchestra Executive Director Gary Hanson describes the groundbreaking intensity of the residency: “I believe the concentrated nature of our residency at Indiana University is unprecedented in The Cleveland Orchestra’s history. In just two days, there will be 30 events ranging from orchestral repertoire classes, a visit to a local elementary school, and three orchestras including IU students rehearsing with Cleveland Orchestra musicians, all in addition to a Cleveland Orchestra concert and a collaborative chamber concert with IU faculty, students, and Cleveland Orchestra musicians. Franz Welser-Möst and the Orchestra’s musicians are dedicated to teaching and coaching the next generation of this country’s professional musicians.”

“We are extremely pleased to welcome the renowned Cleveland Orchestra to Indiana University ,” said IU President Michael A. McRobbie. “Our partnership with this magnificent ensemble will provide our students with opportunities to learn from and interact with some of the world's top classical musicians, who promise to deliver an exciting and memorable performance at IU Auditorium.”

Monday, January 24, 4:00 p.m., IU Auditorium
IU Philharmonic reading session led by The Cleveland Orchestra Music Director Franz Welser-Möst.
Note: Entry to this event requires ticket to January 25 IU Auditorium event.

Tuesday, January 25, 8:00 p.m. IU Auditorium
The Cleveland Orchestra & Franz Welser-Möst
Pierre-Laurent Aimard, piano
WAGNER Overture to Tannhäuser
BARTOK Piano Concerto No. 2
R. STRAUSS Ein Heldenleben

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more