Colorado Symphony Announces Annual Ball

By -

Motown legends The Temptations will bring down the house at 2011 Symphony Ball

An extraordinary evening awaits Denver on Saturday, May 7 when the Colorado Symphony Ball welcomes one of the most popular vocal groups in music history, The Temptations. With The Temptations on-board, the Colorado Symphony Ball is redefining this unique fundraising evening. You can guarantee The Temptations will light up the night with their fabulous harmonies, unforgettable melodies, smooth-stepping, fine-tuned choreography and, of course, the famous Temptation Walk. The 2011 Ball will create a stirring atmosphere, bridging generations and musical genres, and reflecting the exhilarating array of concert experiences music lovers have come to love and expect from the Colorado Symphony.

The 2011 Host Committee includes Symphony supporters Michael and Tauna Dowling, Kevin and Leanne Duncan, John and Carolee Hayes, Gary Lutz and Margaret Johnson, Heather and Mike Miller, and Willie and Sarah Shepherd. Julie Gordon and Lindsey Wiseman serve as the auction and décor co-chairs.

In 2010, the Colorado Symphony Ball broke new ground for gala events and became one of the most talked-about events in Colorado. In fact, The Denver Post raved that the Ball was "restored to its rightful place in Denver's fundraising hierarchy." The 2010 event also provided tremendous support for the Colorado Symphony. Thanks to the efforts of hundreds of dedicated volunteers, the 2010 Ball raised more than $650,000 for Symphony programs, including concerts for schoolchildren and families.

Each year, the Colorado Symphony reaches more than 220,000 concertgoers and 40,000 young students through concerts, outreach, and education programs. With more than 100 performances scheduled for the 2010/11 season, the Colorado Symphony is a vibrant year-round presence in our community. With ticket revenues covering only 50 percent of the Colorado Symphony's operating costs, we rely on the generosity of our donors to make our concerts and community engagement programs possible.

The 2011 Colorado Symphony Ball promises to be a dazzling evening of flair, flash and class as The Temptations entertain with Motown hits such as "Just My Imagination (Running Away with Me);" the classic "My Girl" and its adored three-part chime harmony; the irresistible "Ain't Too Proud to Beg;" and the gospel soul masterpiece "The Way You Do the Things You Do."

Guests will enjoy an evening of "temptations," indeed, amidst the Motown ambiance at the Sheraton Denver Plaza Ballroom. Both silent and live auctions will feature unique items including a President's Dinner where eight guests can enjoy a cuisine of their choice prepared by President and CEO Jim Palermo; the opportunity to guest conduct the Colorado Symphony on New Year's Eve; a three-night ranch retreat at the Duncan Family property in the Rawah Mountains; and a Grammy® getaway featuring round-trip airfare, luxury accommodations and tickets to the Grammy® Awards in Los Angeles.

This May, join the Colorado Symphony for a night of Motown magic - all in support of artistic, education and outreach programs. Proceeds from the 2011 Ball will enable the Colorado Symphony to continue its mission of Entertaining through artistic excellence, by Engaging with – and growing – audiences, by Enriching the lives of everyone we touch, and by Educating in the communities where we live and perform.

Mark your calendars for Saturday, May 7, 2011 and a marvelous evening filled with fine dining, laughter, dancing, Motown Sound, and the classic hits of The Temptations - all in support of the Colorado Symphony!

Colorado Symphony Ball
Spend an Evening with The Temptations
Saturday, May 7, 2011
Sheraton Denver Downtown Hotel, Plaza Ballroom

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more