30th Annual Presidents at Pops, June 8 - Katharine McPhee joins the Boston Pops to celebrate 30th Anniversary of Presidents at Pops

By -

Keith Lockhart and the Boston Pops celebrate the 30th annual “Presidents at Pops” concert Wednesday, June 8, at 8 p.m., with special guest vocalist Katharine McPhee. Katharine McPhee, an American Idol finalist who appears with the Boston Pops on the 2009 Chris Botti in Boston CD and DVD, lends her supple voice and lush melodies to a program of classic Pops tunes as well as a set list of her own. Eight-voice a cappella sensation The Swingle Singers will join Ms. McPhee and the Boston Pops Orchestra for what has become one of the most anticipated fundraisers of its kind in Boston.

The 2011 “Presidents at Pops” committee, chaired by Peter Palandjian, has already raised $940,000, surpassing last year’s fundraising effort which raised $900,000. Since its inception in 1982, “Presidents at Pops” and its sister event “A Company Christmas at Pops” have raised nearly $43 million dollars, making the events among the Boston Symphony Orchestra’s most important annual fundraisers, and widely acclaimed as some of the largest and most successful corporate benefits for the arts in the United States. These generous donations, in part, help to fund the BSO’s youth and community outreach programs throughout the year.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Acclaimed Fauré Quartett returns to Deutsche Grammophon with their first recording of Brahms

By -
Image
The Fauré Quartett continues to add authoritative recordings to the chamber music catalog with their new recording of two Brahms quartets, available from Deutsche Grammophon on January 12, 2010. These large, some say symphonic, works test the limits of technical and musical capabilities, and the Fauré Quartett once again proves why they are one of the most acclaimed ensembles performing today. Within a short period of time the Fauré Quartett has conquered the great concert halls of London , Paris , Berlin , Amsterdam , Brussels , Geneva , Hamburg , Frankfurt, Milan , Buenos Aires , Rio de Janeiro and elsewhere. “They attract superlatives wherever they go,” wrote The Strad following a concert at London ’s Wigmore Hall, while the Süddeutsche Zeitung praised them for a performance that “brought tremendous pleasure by highlighting interpretative details that had scarcely ever been heard before”. The Fauré Quartett strives to achieve a unique sound for Brahms (as indeed for every work)
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more