Bravo! Vail Valley Music Festival Free Recital Sunday! Wine, Appetizers and Beethoven Monday, Tuesday

By -

Artistic Director Anne-Marie McDermott performs a free recital to open the Bravo! Vail Valley Music Festival at the Gerald R. Ford Amphitheater in Vail, Colorado, Sunday, June 26th. This complimentary concert is presented free of charge as a gift from Anne-Marie to the community. The recital program includes works by Bach, Gottschalk, Chopin, Schumann and Grunfeld.

Then on the 27th & 28th discover Beethoven's brilliance with two exclusive pre-concert receptions with presentations by composer, author and puzzle-master Bruce Adolphe. Enjoy cocktails and passed appetizers from Vail Catering Concepts accompanied by a discussion with renowned composer Bruce Adolphe. Each evening includes a half hour presentation about Beethoven and his work followed by performances of Beethoven's Trios for Violin, Cello and Piano: Parts I and II.

BEETHOVEN: ARCHITECT OF HUMANITY

June 27 & 28

5:00 p.m. - Reception, Wine and Passed Appetizers

5:30 p.m. - Lecture

6:30 p.m. - Concert


Monday, June 27

VAIL MOUNTAIN SCHOOL

5:30 P.M. LECTURE

Adolphe will speak on The Notes and Bolts of Beethoven's Musical Architecture. Explore the nitty-gritty of Beethoven's approach to composition. How does the "architect of humanity" design a sonata form for a piano trio? Bring your Hammer (klavier) and take a lesson in classical composition in the style of Beethoven. This will also be featuring some piano puzzlers.

Tuesday, June 28

VAIL MOUNTAIN SCHOOL

5:30 P.M. LECTURE

The Beethoven festival continues with Adolphe speaking on Beethoven the Improviser. At social gatherings of the aristocracy, Beethoven was often called upon to improvise at the piano - whether he wanted to or not. What can we know about his improvisations? Can we hear the mind of the spontaneous keyboard improviser in the music of this most self-critical composer?

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more