London Symphony Orchestra Conducted By Valery Gergiev Performs With Xiv International Tchaikovsky Competition Winners

By -
The 1st prize-winners in the piano, cello and voice categories of the XIV International Tchaikovsky Competition will make their debut with the London Symphony Orchestra and Valery Gergiev in the Barbican Hall on 21 September. Cellist Narek Hakhnazaryan will perform Tchaikovsky’s Roccoco Variations and pianist Daniil Trifonov the composer’s First Piano Concerto. Soprano Sun Young Seo performs the Letter Scene from Tchaikovsky’s Eugene Onegin and baritone Jong Min Park King Rene’s Aria from Iolanta. The concert opens with the Polonaise from Eugene Onegin.

For more than 50 years the International Tchaikovsky Competition has been regarded around the world as one of the major events in the global music community and as an outstanding opportunity for extraordinary young musicians to gain international recognition and establish their careers. The competition is held once every four years, embracing the four disciplines of piano, violin, cello and voice (with separate prizes for men and women). 2011 saw the competition not only presented simultaneously for the first time at a number of halls in both Moscow and St Petersburg and streamed extensively online, but also Valery Gergiev, LSO Principal Conductor and one of the most celebrated and influential musicians in the world today, taking up the post of Chairman of the Competition and judging panel.

Wednesday 21 September 2011, 7pm,
Barbican

TCHAIKOVSKY Polonaise from Eugene Onegin;
Letter Scene from Eugene Onegin;
Roccoco Variations;
King Rene's Aria from Iolanta;
Piano Concerto No1

Valery Gergiev conductor
Narek Hakhnazaryan cello
Daniil Trifonov piano
Sun Young Seo soprano
Jong Min Park baritone
London Symphony Orchestra

Tickets: £10–£35 Secure online booking at lso.co.uk
 Box office: 020 7638 8891, open Mon–Sat 10am–8pm, Sun 11am–8pm
In person at the Advance Box Office in the Barbican Centre (Mon–Sat 10am–9pm; Sun 12pm–9pm)

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more