Colorado Symphony's Inside the Score Concert Features Vast Musical Styles

By -

Vocalists Will Chase of NBC's SMASH and Denver’s own
Sydney Brooke Fisher join resident conductor Scott O’Neil
in the unique INSIDE THE SCORE series program: Shuffle

Diverse music by composers ranging from Björk to Bach and Pat Metheny to Prokofiev come together in the Colorado Symphony's upcoming Shuffle, an Inside the Score series concert on Friday, April 27 at 7:30 p.m. Shuffle sets out to prove that musical genres aren't as different as we imagine. Resident conductor Scott O'Neil – embracing the reality that people like to "shuffle" between genres – ties together musical styles in one unforgettable evening that glides from Baroque to Jazz and from Broadway to Indie music and beyond.

Shuffle is a no-holds-barred look at how we enjoy music. "In the music industry, whether it's a live concert or recording, music and artists are segregated into categories," said O'Neil. "When you consider Broadway, jazz, classic rock or classical, there are tight-set boundaries that package music in compartmentalized groups. But that's not the way people like to listen. We often jump from one genre to another while driving or working – we hit shuffle or skip a song on Pandora® or switch radio stations. Yet, the music industry still packages music with labels. In the end, we probably miss a lot of wonderful music. Shuffle sets out to prove that the labels people try to put on things don't do us any favors."

Concertgoers will also enjoy several firsts at Shuffle, including new orchestrations by O'Neil of Björk's New World and Overture to Dancer in the Dark (from the soundtrack to the film directed by Lars von Trier). When she learned about the concept of the concert, Björk gave the rights to the Colorado Symphony free-of-charge. Also featured on the program is a new orchestration of Seal's Get it Together. To make it perfect for Shuffle, O'Neil wrote an orchestration perfectly tailored to the Colorado Symphony.

Denver’s own Sydney Brooke Fisher, who last joined the Colorado Symphony for A Night in Vienna, and Broadway's Will Chase (Rent, Miss Saigon, Aida and NBC's SMASH) join O'Neil on-stage for an evening that promises to bring new meaning to the next time you hit "shuffle." Tickets are on sale now and start at $15.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more