TwtrSymphony is Breaking the Paradigm

By -
by Eddie Louise

TwtrSymphony is breaking the paradigm of Classical Music as the art form that just IS - an always present rarely acknowledged facet of the cultural landscape. The symphony as an institution has its place, but new music is not the focus in that reality. TwtrSymphony believes in the power of music to inspire, to excite and to move people. We believe that there is a hunger for new orchestral music. We believe in the magic that is created when musicians devote themselves to the expression of the ideas and emotions which inhabit the music of our time.


Social media is the perfect medium for the exploration of a new musical world. One where new music is embraced and celebrated. Where audiences are acknowledged and encouraged. Where dialogue between musicians, composers and audience create the sparks of new ideas and ignite new passions. In order to take advantage of the opportunities inherent in this landscape, we need to learn to share our passion, to share of ourselves.


Actress Jennifer Lawrence is a perfect example of the type of sharing I am talking about. She has a direct and open quality that communicates well. She speaks with passion of her process and reacts honestly to questions about her work. Videos of her interviews go viral because the audience is drawn in – committed to her, excited by her honesty. But also, these things go viral because the more they are shared, the more people will want to share them. This is the true power of social media. One person says something interesting, gets re-tweeted by two or three of their friends, who in turn are re-tweeted in a ever expanding circle of influence. TwtrSymphony believes classical music can achieve the same kind of viral reach as any other music form; we just need to share the passion we feel with those around us.


When we share our passion for what we are doing, when we speak honestly of the challenges, when we invite commentary and interaction from our audience, we are practicing a form of inclusion that could only happen via social media and the unique process of our orchestra. By letting our beliefs, our passions and even our frustrations become part of the conversation we are enacting the human soul of the orchestra. We are breaking free of the institution. We are envisioning new music in a new way for a new audience.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more