Baltimore Symphony Associates Host Music Matters Fashion Show, Oct. 17

By -

Luncheon and fashion show will raise money for BSO’s education programs

Baltimore, Md. (October 8, 2009)—The Baltimore Symphony Associates (BSA)—the volunteer organization of the Baltimore Symphony Orchestra (BSO)—will host Music Matters Fashions on Saturday, October 17, 2009 at 11:30 a.m. at the Joseph Meyerhoff Symphony Hall. For $40 admission, guests will enjoy an elegant luncheon and see Fall’s newest styles from popular local boutiques Lori K, Chezelle and Wee Chic. Wine will be available for purchase and a special boutique selling some of the featured fashions will be open. All proceeds benefit the BSO’s education programs.

Lori K is a fashion boutique located in Stevenson, MD. It offers hip, unique clothing for today’s active woman. Chezelle offers fashions for full-figured woman. Located in Baltimore, MD, Chezelle believes that style comes in all shapes and sizes. Wee Chic is a boutique located in Green Spring Station that offers clothing and accessories for children age 6 and under as well as specialty gifts for new moms.

About Baltimore Symphony Associates
The Baltimore Symphony Associates (BSA) continues its long tradition of volunteers in service to the Baltimore Symphony Orchestra reaching back to 1942 when it began as the Women's Committee. More than 200 current members use their time, energy and financial support to benefit the education programs of the BSO. The BSA manages the Symphony Store at the Meyerhoff, hosts several fundraising events, serve as ushers at education programs and sponsors several pre-concert lectures each season.

COMPLETE EVENT DETAILS
Music Matters Fashions
Saturday, October 17, 2009 at 11:30 a.m.—Joseph Meyerhoff Symphony Hall (lobby)
Discount parking for garage available at luncheon.

For tickets, call Judy Schuck at 410.252.5429 or the BSA office at 410.783.8023.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In ...
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

Teaching Composition – What are we trying to achieve

By -
In the process of learning composition I have spent time with a number of instructors who have encouraged me to write twelve-tone, pitch-class, electro-acoustic and other forms of experimental techniques. No matter how much I might understand and appreciate the work of other composers in the genres, these are not forms of music I resonate with. They are simply not forms of music I listen to and I struggle with the idea of writing them. However, in a Master Class by Libby Larsen she made the comment, “Learn them all, because all forms of music have something to offer.” This I very much agree. There are elements of each of the above mentioned forms (and others) that I do resonate with. Berg’s Violin Concerto is a beautiful twelve-tone work, although it is possible to look at numerous sections of the music with a “tonal” analysis. Another composer friend, Gary Bachlund commented that using these techniques can narrow the choices for how to compose a piece of work. If you look at ...
Read more