Boston Pops and Rockapella Bring Boston's Holiday Tradition to Cities Across the Midwest and Northeast

By -

“AMERICA’S ORCHESTRA" TO PERFORM IN IOWA CITY, IOWA (11/27); APPLETON, WI (11/28 & 11/29); CHICAGO, IL (11/30); PROVIDENCE, RI (12/2); STORRS, CT (12/3); GREENVALE, NY (12/4); NEWARK, NJ (12/4); MANCHESTER, NH (12/17); LOWELL, MA (12/18)


The Boston Pops and conductor Keith Lockhart will bring New England’s beloved Holiday Pops to nine cities across the Midwest and Northeast during the orchestra’s 2011 holiday tour. The tour kicks off in Iowa City, Iowa, on November 27 this season, when the Pops will join forces with pop vocal sensation Rockapella, to share the music of New England’s favorite holiday tradition.

HOLIDAY POPS PROGRAM DETAILS
Capturing the magic of the Christmastime season, and the winter charms of New England, the Boston Pops will perform their signature Sleigh Ride, a suite from The Nutcracker, and other Yuletide favorites. Rockapella, one of the most in-demand pop vocal groups in the world, will perform with the Pops on holiday classics such as Rudolph the Red-Nosed Reindeer, Silver Bells, andof course, Santa Claus Is Coming to Town. At each concert a different local personality will narrate a performance of A Visit from St. Nicholas (“’Twas the Night Before Christmas”), which will be followed by a guest appearance by Santa Claus himself. The entire audience will be invited to join in a traditional Boston Pops holiday sing-along to bring each special performance to a close.

Boston Pops Holiday concerts began in 1974 with a three-concert series at Symphony Hall. Since then, public demand for the performances has grown, and this holiday season the Boston Pops will offer 37 concerts in a festively decorated Symphony Hall, in addition to the Holiday Tour.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more