Colorado Symphony Adds Concerts in 2012 Spring Season

By -

New offerings include Valentine Romance, Gershwin
and Cleo Parker Robinson Dance Ensemble


The Colorado Symphony announces several new additions to the 2011/12 concert season, as well as the addition of extra performances and new dates for several of its most popular concerts. “We are delighted to have the opportunity to fill open dates in the Spring with new concerts and added performances,” states Interim CEO Jim Copenhaver. “These concerts create revenue-generating opportunities for us.”

Leading the series of concert announcements is Valentine Classics, an evening of the romantic era's most passionate and dreamy works on Saturday, February 11 – just in time for Valentine's Day.

Music and dance lovers will also be thrilled to learn new concert dates for "Cleo Parker Robinson Dances Romeo and Juliet:” Friday, March 30 and Saturday, March 31. “We are very pleased to be able to continue this long-time partnership with one of Denver’s finest arts entities,” states Copenhaver.

An extra concert date has also been added to the performance of Beethoven's "Eroica." In addition to the scheduled Sunday matinee performance on March 25, concertgoers can also attend this magnificent concert on Saturday, March 24.

The music of George and Ira Gershwin will take center stage in a new, one-night-only special titled "Here to Stay: The Gershwin Concert Experience" on Friday, May 4. Starring Kevin Cole, the leading Gershwin interpreter, and Grammy® Award-winning soprano Sylvia McNair, this concert offers an unprecedented insider view of the music of the legendary duo, while sharing rare audio and video footage of the Gershwins.

The popular Inside the Score Series also returns “Shuffle” back to its schedule, a program engineered by resident conductor Scott O’Neil, which connects vast musical styles, from Bach to Bjork, from Seal to Stravinsky.

Ticket-holders for rescheduled concerts can contact our box office at (303) 623-7876 or tickets@coloradosymphony.org. Complete details are being mailed to subscribers and ticketholders affected by these changes.

Tickets for these newly-added events will go on sale to the general public December 2 at the Colorado Symphony Box Office. To learn more, visit www.coloradosymphony.org.

Colorado Symphony 2011/12 Season Additions and Updates:

NEW! Valentine Classics – Masterworks Series
Saturday, February 11 at 7:30 p.m.

Scott O’Neil, resident conductor
Just in time for the most passionate day of the year, the Colorado Symphony presents a Valentine's-inspired evening of romantic classics. Prepare to be swept away by the romance, power and ardor that only a symphony orchestra can deliver.

NEW DATE ADDED! Beethoven's Eroica – Masterworks Series
Saturday, March 24 at 7:30 p.m. (new) and Sunday, March 25 at 2:30 p.m.

Scott O'Neil, resident conductor
HAYDN: Symphony No. 22 in E-flat major, “The Philosopher”
KODALY: Dances of Galánta
BEETHOVEN: Symphony No. 3 in E-flat major (Op. 55), "Eroica"

NEW DATES! Cleo Parker Robinson Dances Romeo and Juliet – Masterworks Series (event replaces originally scheduled Litton on Piano & Pulcinella concert on 3/31)
Friday, March 30 at 7:30 p.m. and Saturday, March 31 at 7:30 p.m.

Andrew Litton, conductor
MOZART: Ballet Music from Idomeneo
SCHUBERT: Symphony No. 5 in B-flat major
PROKOFIEV: Selections from Romeo and Juliet

NEW DATE! SHUFFLE – Inside the Score Series (event replaces originally scheduled Who Killed Tchaikovsky concert)
Saturday, April 27 at 7:30 p.m.

Scott O'Neil, resident conductor

NEW! "Here to Stay: The Gershwin Concert Experience"
Friday, May 4 at 7:30 p.m.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Acclaimed Fauré Quartett returns to Deutsche Grammophon with their first recording of Brahms

By -
Image
The Fauré Quartett continues to add authoritative recordings to the chamber music catalog with their new recording of two Brahms quartets, available from Deutsche Grammophon on January 12, 2010. These large, some say symphonic, works test the limits of technical and musical capabilities, and the Fauré Quartett once again proves why they are one of the most acclaimed ensembles performing today. Within a short period of time the Fauré Quartett has conquered the great concert halls of London , Paris , Berlin , Amsterdam , Brussels , Geneva , Hamburg , Frankfurt, Milan , Buenos Aires , Rio de Janeiro and elsewhere. “They attract superlatives wherever they go,” wrote The Strad following a concert at London ’s Wigmore Hall, while the Süddeutsche Zeitung praised them for a performance that “brought tremendous pleasure by highlighting interpretative details that had scarcely ever been heard before”. The Fauré Quartett strives to achieve a unique sound for Brahms (as indeed for every work)
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more