Colorado Symphony Presents "Messiah by Candlelight"

By -

The breathtaking "Messiah by Candlelight" returns to the intimate setting of
Montview BoulevardPresbyterian Church


Messiah by Candlelight – the Colorado Symphony's breathtaking production of Handel's Messiah – will return to the intimate setting of Montview Boulevard Presbyterian Church this holiday season for three inspirational performances on Tuesday, December 13, Wednesday, December 14 and a sold out performance on Sunday, December 18. Presented for the first time in 2010, the Colorado Symphony's Messiah by Candlelight is one of the most memorable and poignant performances of the holiday season. For 2011, the Colorado Symphony, led by resident conductor Scott O’Neil, is joined by the Colorado Symphony Chorus and celebrated guest soloists including soprano Suzanne Ramo, mezzo-soprano Adriana Zabala, tenor Steven Sanders and baritone Robert Gardner. Concertgoers will cherish the opportunity to experience this inspirational choral favorite in a traditional setting that highlights its brilliantly moving lyrical work and rich vocal arrangements. Messiah by Candlelight will undoubtedly bring audiences to their feet once again in 2011! Tickets are on sale now and start at $25.

Please note: The December 18 performance is sold out.

A traditional December event around the world, Handel’s Messiah is synonymous with Christmas music. The most famous oratorio ever written, Messiah was composed in 1741 in less than three weeks. It became Handel’s most beloved masterwork. Written as a meditation on the idea of a Messiah, rather than a narrative drama about the life of Christ, Handel's Messiah represents, for many, a deeply loved annual tradition to share with friends and family. From the thrills of the "Hallelujah Chorus" to the dazzling "But who may abide the day of His coming" and the exquisiteness of the soprano aria "I know that my Redeemer liveth," Messiah is replete with joyful sincerity.

Tickets: General Admission tickets are $25, $51 and $87, and are on sale now at www.coloradosymphony.org, the Colorado Symphony Box Office: (303) 623-7876 or (877) 292-7979 or in-person in the lobby of Boettcher Concert Hall in the Denver Performing Arts Complex. Hours are Monday to Friday from 10 a.m. to 6 p.m. and Saturday from 12 p.m. to 6 p.m.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more