Andrew Litton and Pacal Rogé Join Colorado Symphony

By -

Colorado Symphony welcomes conductor Andrew Litton and pianist Pascal Rogé in performance of Mozart's illustrious Piano Concerto No. 21; Tchaikovsky's Fourth and Brahms' Academic Festival Overture round-out idyllic Colorado Symphony Masterworks weekend

he Colorado Symphony welcomes acclaimed conductor Andrew Litton and celebrated pianist Pascal Rogé for two beautiful concerts featuring masterworks by Brahms, Mozart and Tchaikovsky on Friday, April 13 and Saturday, April 14 at Boettcher Concert Hall. Concerts begin at 7:30 p.m. and promise to charm concertgoers with a program of music that is both joyful and resplendent, spotlighting one of the most venerated works in the repertoire: Tchaikovsky's Fourth Symphony.

Rogé, who makes his much-anticipated return to the Colorado Symphony stage in these concerts, promises to shine in the performance of Mozart's Piano Concerto No. 21, one of the most popular and well-known of Mozart's 27 piano concerti. In recent history, the Concerto has gained the moniker of the "Elvira Madigan Concerto" from its use in the soundtrack to the award-winning 1967 Swedish film Elvira Madigan.

Recognized as a towering achievement in classical music, Tchaikovsky's Fourth Symphony – a work inspired by his tumultuous personal life and inner struggles – was dedicated to his benefactress and confidante, Nadezhda von Meck. Its sense of a powerful "force of destiny" reflects Tchaikovsky's deep understanding of the nature of the human experience – and his unique capacity for "translating" emotions into music. The Fourth Symphony represents not only a turning point in Tchaikovsky's life, but a turning point in his artistry as well.

Perfecting this Masterworks program is Brahms' Academic Festival Overture, which Brahms composed as a musical "thank you" to the University of Breslau upon receiving the honorary degree of Doctor of Philosophy. Brahms, who never had the opportunity to go to university, utterly captures the youthful and high-spirited atmosphere of campus life in this endearingly popular work.

To learn more about the history of Tchaikovsky's Fourth Symphony and this concert program, visit www.coloradosymphony.org.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more