Daniel Hope Curates and Performs at 2012 Savannah Music Festival

By -

“The playing of the British violinist Daniel Hope…is not just distinguished by its tonal beauty, but by its compelling rhetorical quality.” — The Wall Street Journal

For his ninth season as a performer and his eighth as Associate Artistic Director at the Savannah Music Festival (March 22-April 7), Daniel Hope has curated an extraordinary array of concerts that make up the classical portion of Georgia’s largest cross-genre musical arts festival. As a violinist, Hope will make nine appearances during the 2012 Savannah Music Festival (SMF), primarily as part of the Daniel Hope & Friends series, presented in the dramatic Rotunda of Savannah’s Telfair Academy. Highlights include Hope’s recital of the complete Brahms violin sonatas with Sebastian Knauer; an evening with old friend and Beaux Arts Trio colleague Menahem Pressler; three performances with keyboard star Kristian Bezuidenhout and the period chamber orchestra l'arte del mondo (which makes its U.S. premiere at SMF 2012); and two ensemble evenings with violinist Lorenza Borrani (concertmaster of the Chamber Orchestra of Europe) and others. When he’s not performing, Hope will oversee the balance of the festival’s classical programming. This year’s classical lineup welcomes, among others, the Takács Quartet, the Emerson Quartet, pianist Yefim Bronfman with the Atlanta Symphony Orchestra, and the trio of David Finckel, Wu Han, and Philip Setzer. After a recent contract renewal with the festival, Hope's work as Associate Artistic Director will continue at least until 2015, marking his tenth year in the position. Other artists performing at this year’s SMF include Chris Thile, Edgar Meyer, Pace de Lucia, Marcus Roberts, Zakir Hussain and Lyle Lovett.

For two weeks each spring, the Savannah Music Festival fills Georgia’s most beautiful city with a celebration of the musical arts. Its programs explore a range of styles: From jazz to world, classical to Americana, the festival reflects this vibrant southern city and the myriad of people who make up its diverse, colorful culture. In a recent Wall Street Journal interview, Hope remarked, "Savannah's hallmark is its cultural diversity, and on any given day our programs range from, say, the Baroque to Brahms to Edgar Meyer, from Fauré to Portuguese Fado, from Béla Fleck to Chris Thile. It's a celebration of music in all its many forms."

Hope makes his first SMF 2012 appearance on March 24 in Daniel Hope & Friends: Menahem & Dvořák, which reunites Hope with one of his most beloved musical partners, pianist Menahem Pressler, founder of one of the chamber music world’s most legendary groups, the Beaux Arts Trio (with which Hope played for the ensemble’s final six years). Other SMF veteran players round out the roster for this all-Dvorák program.

One of SMF’s 2012 undeniable highlights will be Hope’s March 25 program, The Brahms Violin Sonatas: Daniel Hope & Sebastian Knauer. Musical colleagues who have regularly worked together for almost 20 years, the violinist and pianist tackle all three Brahms violin sonatas in a concert marking Hope’s first SMF recital in a number of years.

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Acclaimed Fauré Quartett returns to Deutsche Grammophon with their first recording of Brahms

By -
Image
The Fauré Quartett continues to add authoritative recordings to the chamber music catalog with their new recording of two Brahms quartets, available from Deutsche Grammophon on January 12, 2010. These large, some say symphonic, works test the limits of technical and musical capabilities, and the Fauré Quartett once again proves why they are one of the most acclaimed ensembles performing today. Within a short period of time the Fauré Quartett has conquered the great concert halls of London , Paris , Berlin , Amsterdam , Brussels , Geneva , Hamburg , Frankfurt, Milan , Buenos Aires , Rio de Janeiro and elsewhere. “They attract superlatives wherever they go,” wrote The Strad following a concert at London ’s Wigmore Hall, while the Süddeutsche Zeitung praised them for a performance that “brought tremendous pleasure by highlighting interpretative details that had scarcely ever been heard before”. The Fauré Quartett strives to achieve a unique sound for Brahms (as indeed for every work)
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more