TwtrSymphony: A New Concept Orchestra

By -

Check out TwtrSymphony on Twitter - A new way to look at performing classical music

I love Twitter. I have met some amazing people on Twitter, people who are thinking outside the box and willing to try new things.

On Saturday I posted a piece of music on this blog, New Piano Concerto in search of a Pianist & Orchestra, not because I expected to actually find an orchestra to play it, but because I want to get the word out why kind of music I am capable of writing. It has garnered a fair amount of attention and even some inquiries, which is great.

Some of my friends on Twitter chatting about the article on Saturday night. Eventually the came to the idea "We should just make our own. YouTube has a symphony. Why not Twitter?"

When I woke Sunday morning I found I'd been copied into the conversation with all sorts of ideas as to how it would work. So, I took their suggestions and creating the Twitter profile, TwtrSymphony. After a few tweets to those who'd talked about it before, posting a set of guidelines on my website for people to read (because trying to get all the concepts out in an organized fashion within 140 characters just didn't seem possible) the requests to "join" started flooding in. By the end of the day --less than 12 hours from when I created the profile --we had nearly 100 inquiries and a solid list of musicians interested in participating.

As in all things Twitter, the interest was scattered unevenly through the orchestra. We ended up with a lot of flutes and not so many violas. The next day people started asking their friends to join, spreading the word and the list of interested musicians continues to grow.

We're at the point now I'm needed to create an audition process. I'll post pdf's of the music they are to play and a "click track" with a midi example of the music they are to play with. Each musician will record their part and submit it for review. I'm even thinking I'll post the recordings with numbers so the "judging" can be done blind, no idea who is responsible for what recording.

When we have established some form of skilled level for the various musicians, I'll set about composing music for the ensemble. I'm already thinking about a nice flute choir piece to show off the large number of flutists we have and give me a way to include more people in the project. While I want to continue to push for the highest possible performers in the orchestra, there is also something to be said involving the other musicians on Twitter, getting them excited about TwtrSymphony.

There is still a long way to go! I'm sure there will be snags we run into along the way. I'm sure we're going to need a website at some point, and what happens if the music goes viral in the same way? Do we sell it on iTunes or Amazon? Who knows. I am writing this less than 36 hours from starting the organization. Before Sunday, I was certain it would be another three to four more years before an orchestra was eager to play my music. With Twitter, the distant isn't so far off and the impossible now so very real.

Comments

Chip Michael said…
Update: Less than 24 hours after I posted this and only 3.5 days since the whole TwtrSymphony thing started and I send out audition notices to the flute players. I've even had a few tweets about the music.

But even more exciting is the interest we're getting from funding - that's right FUNDING. I had three emails today which spoke of organizations wanting to "help out" financially. Yes, I'm sure there are some additional strings that come with the help. Still, in a day when major orchestra are struggling to meet their budgets, to have possibly funding when the project hasn't even fully formed is pretty exciting.

Something else I became aware of today. There are several musicians wanting to play in the TwtrSymphony who are working professionals, musicians who have jobs with professional orchestra. This means the level of playing and eventual performances is going way from my original expectations. It also means there are professional who consider this project real.

IT IS REAL.

There is a lot on my plate right now. I have to get audition material out to the rest of the musicians, I've started thinking about a potential website for additional exposure and unifying the concept of who we are, and I have started thinking about money both for the musicians and operating costs. Yes, this is getting very real indeed.

Still, it's exciting to see just how motivated musicians are to do something new, innovative and wildly creative.
March 6, 2012 at 11:01 PM
Chip Michael said…
Ok, two week later and I'm trying to keep track of over 250 musicians and their auditions. "Wild ride" doesn't even begin to express the feeling of what's going on.

I wouldn't have it any other way.

BTW - check out the new Tumblr page

http://TwtrSymphony.Tumblr.com
March 21, 2012 at 4:07 PM
Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more

The Art of String Quartets by Brian Ferneyhough

By -
Image
When an artist sets paint to canvas, there are brush strokes used for different effects. Sometimes those strokes are subtle, imperceptible; they produce works of art like the Mona Lisa . Other times the very obvious nature of the stroke is the art, as in works by Van Gogh. With some composers of music, the notes on the page are their craft. How those notes translate into an aural experience is what defines some composers as great artists. Brian Ferneyhough has a masterful command of the techniques of putting notes on the page. These techniques are sometimes so subtle, even though written in black and white, they escape detection. Some of what he attempts with his music is just that, to escape detection, to bury the framework, diverting the ear away from the structure, so only the music is heard . The subtlety is so fine it is almost imperceptible. Even though he studied at several institutions, he is considered self-taught, studying scores from Boule
Read more