Deutsche Bank Presents a Free Webcast of the Berliner Philharmoniker performing Brahm's Symphonies 3 & 4 - Nov 9

By -

Webcast precedes Berliner Philharmoniker and Sir Simon Rattle’s U.S Tour November 11-24 featuring Brahms’s symphonies in concert

Deutsche Bank will present a free webcast of the Berliner Philharmoniker and Sir Simon Rattle performing Brahms’s Third and Fourth symphonies on Monday, November 9 at 8.00 p.m. EST on its website, www.db.com. The webcast celebrates the start of the Berliner Philharmoniker and Sir Simon Rattle’s U.S. tour that begins at Carnegie Hall on Wednesday November 11, and the recent release of the Brahms symphonies on CD.

In addition to three concerts at Carnegie Hall November 11-13, the orchestra will perform in Boston (Nov. 15), Chicago (Nov. 16), Ann Arbor (Nov. 17), San Francisco (Nov. 20 & 21) and Los Angeles (Nov. 23 & 24). All concert programs feature Brahms symphonies with the third and fourth symphonies being performed in New York (Nov 13), Boston and Ann Arbor .

To register for the free webcast, visit www.db.com and click on the link to the webcast on the homepage. For more than 20 years now, Deutsche Bank has been the exclusive partner of the Berliner Philharmoniker. Deutsche Bank’s generous support makes the orchestra’s groundbreaking Digital Concert Hall project possible and has also enabled the orchestra to set up an innovative education project, Zukunft@BPhil.

Meanwhile, the Berliner Philharmoniker’s 2009-10 Digital Concert Hall season continues on Saturday, October 31 when Sir Simon Rattle leads the orchestra in Brahms’s Symphony No. 2 and Arnold Schoenberg’s Chamber Symphony No. 1, two other works that will be performed on the orchestra’s U.S. tour. The concert begins at 7:00 p.m. Berlin time (1:00 p.m EST/10:00 a.m PST) and will be webcast live at www.berliner-philharmoniker.de/dch Tickets are 9.90 euros, approx US$15.

Brahms’s second symphony and the Schoenberg chamber symphony will be performed in New York (Nov 12), Chicago (Nov 16), San Francisco (Nov 21) and Los Angeles (Nov 24). Full program and tour details follow.

The Berlin concert program on Oct 31 also includes Hans Krása’s Symphony for mezzo-soprano and small orchestra featuring soloist Eva Vogel. The concert is the ninth Berliner Philharmoniker concert to be webcast through the Digital Concert Hall this season. Over the season, 33 concerts will be webcast live from the Berlin Philharmonie and later become available on the site’s video archive.

Launched in January 2009, the Digital Concert Hall employs state-of-the-art technology that sets new standards in online dissemination of audio-visual content. Five HDTV cameras record the concerts, operated by remote control from a studio in the Philharmonie. Flash H.264 encoding ensures an excellent high-definition image, and audio is provided in AAC format with a data transfer rate of up to 320 kbit/s, achieving quality similar to a CD.

Access to the Digital Concert Hall is available by a subscription to the complete season (149€, approx US$220), a 30-day subscription (39€, approx $58) or individual concert tickets (9.90€, approx $15). Individual works are also available starting from 3€ (approx $4.40). Students receive a 30% discount. All subscribers receive access to archived concerts from the Digital Concert Hall’s first season in addition to the 2009-10 season. All tickets are available online at www.berliner-philharmoniker.de/dch with payment able to be made by credit card or through PayPal.

Berliner Philharmoniker & Sir Simon Rattle U.S. Tour November 11 to 24

Wed, Nov 11 at 8:00 p.m.
Carnegie Hall, New York, NY

BRAHMS Piano Quartet No. 1 in G Minor, Op. 25 (arr. Schoenberg)
BRAHMS Symphony No. 1

Thu, Nov 12, 2009 at 8:00 p.m.
Carnegie Hall, New York, NY

Evelyn Herlitzius, soprano

SCHOENBERG Chamber Symphony No. 1
SCHOENBERG Erwartung
BRAHMS Symphony No. 2

Fri, Nov 13, 2009 at 8:00 p.m.
Carnegie Hall, New York, NY

BRAHMS Symphony No. 3
SCHOENBERG Accompaniment to a Cinematographic Scene, Op. 34
BRAHMS Symphony No. 4

www.carnegiehall.org, 212.247.7800

Sun, Nov 15, 2009 at 3:00 p.m.
Symphony Hall, Boston , MA

BRAHMS Symphony No. 3
SCHOENBERG Accompaniment to a Cinematographic Scene, Op. 34
BRAHMS Symphony No. 4

www.celebrityseries.org, CelebrityCharge 617.482.6661

Mon, Nov 16, 2009 at 8:00 p.m.
Symphony Center , Chicago , IL

WAGNER Prelude to Die Meistersinger
SCHOENBERG Chamber Symphony No. 1
BRAHMS Symphony No. 2

www.cso.org, 312.294.3000

Tue, Nov 17, 2009 at 8:00 p.m.
Hill Auditorium, Ann Arbor , MI

BRAHMS Symphony No. 3
SCHOENBERG Accompaniment to a Cinematographic Scene, Op. 34
BRAHMS Symphony No. 4

www.ums.org, 734.764.2538 or 800.221.1229

Fri, Nov 20, 2009 at 8:00 p.m.
Davies Symphony Hall, San Francisco , CA

BRAHMS Piano Quartet No. 1 in G Minor, Op. 25 (arr. Schoenberg)
BRAHMS Symphony No. 1

Sat, Nov 21, 2009 at 8:00 p.m.
Davies Symphony Hall, San Francisco , CA

WAGNER Prelude to Die Meistersinger
SCHOENBERG Chamber Symphony No. 1
BRAHMS Symphony No. 2

www.sfsymphony.org, 415.864.6000

Mon, Nov 23, 2009 at 8:00 p.m.
Walt Disney Concert Hall, Los Angeles , CA

BRAHMS Piano Quartet No. 1 in G Minor, Op. 25 (arr. Schoenberg)
BRAHMS Symphony No. 1

Tue, Nov 24, 2009 at 8:00 p.m.
Walt Disney Concert Hall, Los Angeles , CA

WAGNER Prelude to Die Meistersinger
SCHOENBERG Chamber Symphony No. 1
BRAHMS Symphony No. 2

www.laphil.com, 323.850.2000

Comments

Post a Comment

Popular posts from this blog

The Role of Music in Opera

By -
There are numerous books on the topic, and every composer, librettist, director, singer and audience member has their opinion as to what role the music should play in an opera. In a play without music, the words ought to support the meaning behind a character's actions. However, in the case of action movies, often times the action is what tells the story and there aren't words, just images to forward the plot. We might hear music to accompany action, build tension, but the action tells the story. Musicals tend to speak until the emotion of the moment just "has" to break out in song - unless it's something like "Mama Mia" where the dialog is the rails we travel on between songs; the songs themselves, written before the concept of the musical, are the focus of the production, while the story is secondary. Operas are a different beast. The music provides emotion to the words spoken, but it also plays the role of ambience when there is only action. In &quo
Read more

Acclaimed Fauré Quartett returns to Deutsche Grammophon with their first recording of Brahms

By -
Image
The Fauré Quartett continues to add authoritative recordings to the chamber music catalog with their new recording of two Brahms quartets, available from Deutsche Grammophon on January 12, 2010. These large, some say symphonic, works test the limits of technical and musical capabilities, and the Fauré Quartett once again proves why they are one of the most acclaimed ensembles performing today. Within a short period of time the Fauré Quartett has conquered the great concert halls of London , Paris , Berlin , Amsterdam , Brussels , Geneva , Hamburg , Frankfurt, Milan , Buenos Aires , Rio de Janeiro and elsewhere. “They attract superlatives wherever they go,” wrote The Strad following a concert at London ’s Wigmore Hall, while the Süddeutsche Zeitung praised them for a performance that “brought tremendous pleasure by highlighting interpretative details that had scarcely ever been heard before”. The Fauré Quartett strives to achieve a unique sound for Brahms (as indeed for every work)
Read more

Episode 210b: Joyeuse le départ

By -
Image
Podcast:  Play in new window  |  Download Subscribe:  Apple Podcasts  |  Android  |  Google Play  |  Stitcher  |  TuneIn  |  RSS Provost Cunningham has Transmigrated, but to where! What is Dr Sage going to do with his body? And how can she bring home her friends, Abigail and Erasmus, without also bring home Cunningham? What are they going to say when they find the “skeleton” she’s hiding in her closet? Cast: Eddie Louise Clark  as Dr Sage Chip Clark  as Professor Savant Justin Bremer  as the Narrator Emily Riley Piatt  as Abigail Entwhistle, Calypso & Dean Stewart Written by  Eddie Louise Theme music by  Unwoman Sound Design by  Chip Michael
Read more